The best Julie Andrews’s music movies

Julie Andrews

Julie Andrews

01/10/1935 (88 años)
Today we present the best Julie Andrews’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Julie Andrews’s movies.
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The Sound of Music

The Sound of Music
8.1/10
In the years before the Second World War, a tomboyish postulant at an Austrian abbey becomes a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.

Victor/Victoria

Victor/Victoria
7.6/10
  • Genre: ComedyMusicRomance
  • Release: 25/04/1982
  • Character: Victoria Grant / Count Victor Grezhinski
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

Star!

Star!
6.4/10
Gertrude Lawrence rises to stage stardom at the cost of happiness.

The Boys: The Sherman Brothers' Story

The Boys: The Sherman Brothers' Story
7.7/10
The troubled fraternal relationship between songwriters Robert B. Sherman and Richard M. Sherman, the Oscar and Grammy-winning Sherman Brothers, famous for the iconic hits they wrote for Disney.

Darling Lili

Darling Lili
6.1/10
World War I. Lili Smith is a beloved British music hall singer, often providing inspiration for the British and French troops and general populace singing rallying patriotic songs. She is also half German and is an undercover German spy, using her feminine wiles to gather information from the high ranking and generally older military officers and diplomats she seduces.

Victor/Victoria

Victor/Victoria
7.7/10
Out-of-work singer Victoria Grant meets a just-fired, flamboyant gay man in a diner in 1920s Paris. He convinces her to pretend to be a man who is a female impersonator in order to get a job. The act is a hit in a local nightclub, but things get complicated when a gangster and nightclub owner from Chicago, King Marchan, falls in love with "him." Filmed live on Broadway, 1995.

Thoroughly Modern Millie

Thoroughly Modern Millie
6.9/10
Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"

Hey, Mr. Producer! The Musical World of Cameron Mackintosh

Hey, Mr. Producer! The Musical World of Cameron Mackintosh
8.7/10
'Hey, Mr Producer!' features selected scenes from the productions of the world's most successful musical producer, Cameron Mackintosh - classic songs from classic musicals performed by the ultimate cast.

High Tor

High Tor
7.4/10
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.

Peter Pan

Peter Pan
6.7/10
Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.

Broadway's Lost Treasures III: The Best of The Tony Awards

Broadway's Lost Treasures III: The Best of The Tony Awards
7.8/10
  • Genre: Music
  • Release: 07/08/2005
  • Character: Herself (segment "Lerner & Loewe Medley")
Broadway royalty and Tony-winners Tommy Tune, Carol Channing, Robert Goulet, and Harvey Fierstein are your hosts for this third compilation of great musical performances from the archives of the Tony Award® broadcasts. Legendary stars from legendary shows strut their stuff in 23 performances that have become part of Broadway history.

My Music: A Classic Christmas

My Music: A Classic Christmas
  • Genre: FamilyMusic
  • Release: 16/11/2019
  • Character: Self (archive footage)
Gavin MacLeod and Marion Ross host a Christmas celebration that features classic performances of popular holiday standards and traditional carols performed, throughout decades past, by an array of artists, including Andy Williams, Bing Crosby, Perry Como, Johnny Mathis, Brenda Lee, Eddy Arnold, Nat King Cole, Judy Garland, Mitch Miller and the Gang, Gene Autry, Jimmy Boyd, the Supremes, Rosemary Clooney, the Lennon Sisters, Burl Ives, Mahalia Jackson, Mitzi Gaynor, Julie Andrews, the Beach Boys, the Carpenters, Jose Feliciano, the Drifters, Ronnie Spector, the Harry Simeone Chorale, and David Bowie.

Broadway's Lost Treasures

Broadway's Lost Treasures
7.9/10
The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.

My Favorite Broadway: The Love Songs

My Favorite Broadway: The Love Songs
7.5/10
  • Genre: Music
  • Release: 06/03/2001
  • Character: Self - Host
Live from Carnegie Hall and hosted by Julie Andrews, a host of glittering Broadway stars sing Broadway's best and most enduring love songs. This production is a filmed record of a concert given on 16 October 2000 at the City Center for Music and Dance, New York City, to raise funds for Broadway Cares/Equity Fights Aids. The occasion was particularly notable in that it marked Julie Andrews' (brief) return to singing in public after a four-year hiatus. Originally broadcast on PBS's "Great Performances" (season 29, episode 8).

Julie

Julie
8.1/10
Writer/director Blake Edwards chronicles his wife Julie Andrews' decision to star in a TV variety show while balancing her home and family life.

More Loverly Than Ever: The Making of My Fair Lady

More Loverly Than Ever: The Making of My Fair Lady
7.3/10
30th anniversary documentary about the film musical.

The Broadway of Lerner and Loewe

The Broadway of Lerner and Loewe
8.4/10
  • Genre: Music
  • Release: 11/02/1962
  • Character: Herself
A musical special celebrating the fruitful collaboration of Broadway lyricist/librettist Alan Jay Lerner and composer Frederick Loewe. Stars from the current Broadway hit "Camelot" and from past triumphs such as "My Fair Lady," and the film "Gigi" perform the romantic, sophisticated songs of Lerner and Loewe.

Julie and Dick at Covent Garden

Julie and Dick at Covent Garden
7.4/10
  • Genre: ComedyMusic
  • Release: 21/04/1974
  • Character: Herself
The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.

My Favorite Broadway: The Leading Ladies

My Favorite Broadway: The Leading Ladies
8.1/10
  • Genre: Music
  • Release: 01/12/1999
  • Character: Self - Host
On Sept. 28, 1998, some of the greatest divas in musical theater -- including Marin Mazzie, Judy Kuhn and Audra McDonald -- took the stage at New York City's Carnegie Hall to belt out songs that made them famous. Julie Andrews hosted the event. Showstoppers include Liza Minnelli performing "Some People"; Andrea McArdle singing "Look for the Silver Lining" and "Tomorrow"; and Bebe Neuwirth and Karen Ziemba teaming for "Nowadays/Hot Honey Rag." Originally broadcast on PBS's "Great Performances" (season 28, episode 4).

Julie and Carol at Carnegie Hall

Julie and Carol at Carnegie Hall
9.1/10
  • Genre: ComedyMusic
  • Release: 10/06/1962
  • Character: Herself
Julie and Carol at Carnegie Hall is an American musical comedy television showcase starring Julie Andrews and Carol Burnett, broadcast on CBS on June 11, 1962. The special was produced by Bob Banner and directed by Joe Hamilton. Banner came up with the idea in the Fall of 1961. Burnett was then a regular on The Garry Moore Show and Andrews had appeared as a guest twice, performing the song "Big D" from the musical The Most Happy Fella in the first appearance; and in the show's 1961 Christmas special, she did a number with Burnett and fellow guest Gwen Verdon plus an early performance of "My Favorite Things" (three years before she performed it as Maria while filming The Sound of Music). Mike Nichols wrote the script and co-wrote the song "You're So London" with Ken Welch. Writing began in February 1962 and the stars rehearsed for two weeks before the March 5 taping

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