The best Juliana Carneiro da Cunha’s movies
If you love cinema, you will share this ranking of the best Juliana Carneiro da Cunha’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Juliana Carneiro da Cunha.
To the Left of the Father
7.6/10
The story of André, the rebel runaway son from a dominant Lebanese-Brazilian family who returns to the nest after a few years. "Lavoura Arcaica" deals with melodramatic themes of tyrannical fathers, incest and fierce family conflicts, matched by an overheated and intense visual style.
Eduardo and Monica
7.3/10
Vazante
6.4/10
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Desterro
5.3/10
The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.
The Brazilwood Man
6.1/10
Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
A Floresta Que Se Move
5.9/10
Based on William Shakespeare's "Macbeth". Elias is a successful executive who works in the second largest private bank in Brazil. One day, Elias meets a mysterious woman who claims to be able to predict his future and says he will become vice president that day and the next day, he will become president of the Bank. The wheel of fortune is bound activated and a series of murders is committed by Elias and his wife Clara, leaving a trail of blood on his way to power and making them executioners and victims of their own destinies.
Maria do Caritó
6.2/10
Maria, a virgin spinster, is trying magical superstitions to find a husband. In her dialogue with the marriage saint, she implores for a companion. Her father offered her as a bride to Saint Djalminha, if the saint saved her during her complicated birth which ended in the death of her mother. Since then Maria has lived this dilemma: revered and loved by the residents and pilgrims that believe she is a miracle worker; she is desperate to live a great love, with a flesh and blood prospect with real passionate desire. She asks for a sign from the heavens, a clue on how to find a crumb of love when a gypsy arrives on scene saying "someone who loves her very much, but she doesn't know will come from afar on an artists' caravan." Maria can't take the solitude she is living anymore and decides "to find Mr. Right," no matter how much it may cost.
In Evil Hour
5.8/10
The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.
The Flood Drummers
8.6/10
Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.
Black Amber
6.5/10
Forty years separate Maria Eugênia, or Maê, a writer from Pernambuco based out of France, from the couple Miguel and Lúcia, who has just celebrated their 40-year anniversary. Maê's return uncovers old doubts and suspicions. Miguel, a sociology professor and former political prisoner, wants to face the truth, and Lúcia, his life partner who has dedicated herself to getting him out of prison, wants to escape from it. From the point of view of these three main characters we learn about political events.
Lévi Strauss - Saudades do Brasil
Bliss
Rodrigo and Suzana have started a relationship recently. He's seventy-two, she's sixty, and they are completely in love with each other. Together, they spend days in bed, talking, eating, laughing and making love.
