The best Judith Braun’s movies

Judith Braun

Judith Braun

16/02/1930 (94 años)
Today we present the best Judith Braun’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Judith Braun’s movies.

Horizons West

Horizons West
6.3/10
Brothers Dan and Neil Hammond return to Texas after the Civil War. Ambitious Dan turns to rustling and then shady land deals to build an empire. Being held for a murder, he is rescued from a lynch mob by Neil, who is now the Marshal, but there is eventually a falling out between the brothers, good triumphing over evil.

Flame of Araby

Flame of Araby
5.5/10
  • Genre: Adventure
  • Release: 18/12/1951
  • Character: Calu
An Arabian-nights princess and a Bedouin chief contend over possession of a stallion, but unite to oppose the Corsair Lords.

The Red Ball Express

The Red Ball Express
6.3/10
  • Genre: DramaWar
  • Release: 24/05/1952
  • Character: Joyce
August 1944: proceeding with the invasion of France, Patton's Third Army has advanced so far toward Paris that it cannot be supplied. To keep up the momentum, Allied HQ establishes an elite military truck route.

More Art Upstairs

More Art Upstairs
6.7/10
A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)

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