The best Juan Manuel Bernal’s drama movies

A couple meet each other often in a motel room.

Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

1931, a year of nationalisms and excesses: The Chinese are expelled from Sonora; the US deports Mexicans and closes its borders. Twelve desperate people cross the Sonoran desert in a 1929 Chrysler, hoping to find peace in Baja California. As their sojourn exposes both the best and the worst of human nature, racism, greed, and paranoia prove as deadly as the merciless landscape around them.

El Jeremías is a heartwarming comedy film about family love and the hard choices that come with opportunity. Set in Sonora Mexico, the film tells the story of Jeremías an eight year old who finds out he is a gifted child and initiates a journey of self discovery. When an opportunistic physiologist makes contact with Jeremías, a new world of experiences open up to him but at the expense of being away from the family he loves. Jeremías must choose between this exciting but lonely new world he finds himself in or returning home to his loving family.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.

Butch Fenton, major of American army, comes for Villa's head and he's gonna get it. The "Punitive Expedition" proved to be the last major campaign of the U.S. Cavalry. Mexican revolution is the first social movement of the century.

A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.

Ernesto, a Cuban actor who decides to audition in Mexico, is stranded in the gigantic city when he fails to achieve a leading role in an important play. Facing the dilemma of returning defeated to his home, he accidentally meets Belén in the subway, a spontaneous actress who tells stories or lies in exchange for some coins.

The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship

As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.