The best Josephine Baker’s music movies

Josephine Baker

Josephine Baker

03/06/1906- 12/04/1975
We present our ranking of the best Josephine Baker’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Josephine Baker.

Siren of the Tropics

Siren of the Tropics
6.4/10
  • Genre: DramaMusic
  • Release: 30/12/1927
  • Character: Papitou
Marquis Sévéro, a rich, lazy Parisian, wants to divorce his wife so that he can marry his own goddaughter Denise. But Denise herself loves André Berval, an engineer employed by the marquis. Filled with jealousy, the marquis sends André to the Antilles, to prospect some land he has just acquired. He promises André that he can marry Denise if he is successful in the tropics, but he then writes to Alvarez, his manager at the site, asking him to prevent André from ever returning to France. The brutal Alvarez forms an instant hatred for André when the engineer breaks up Alvarez's attempt to rape Papitou, a beautiful native girl. Papitou becomes devoted to André, and protects him against Alvarez's schemes. But she faces a crisis herself when she learns that André plans to marry Denise.

Ten on Every Finger

Ten on Every Finger
5.2/10

Chasing a Rainbow: The Life of Josephine Baker

Chasing a Rainbow: The Life of Josephine Baker
7.8/10
The story of Josephine Baker takes us on a fascinating tour of 20th-century race relations on both sides of the Atlantic, yet it leads to no conclusion, and black girls in search of a role-model tend to look elsewhere. Part of her appeal is her startlingly unique appearance. Simply nobody has ever looked or acted like her. She fits no black stereotype. Nor does she look like any recognizable strain of Afro-American. I'd always heard she was half-white, but it seems that her paternity is unknown, and her contradictory claims on the subject don't do much to enlighten us. (We are tempted to imagine quite an exotic mix.) Her origins in sharply-segregated St. Louis, where she is said to have witnessed a lynching, do not seem to have left her embittered. Perhaps she had too much to give. There is a special innocence about that smile, and when she performs her cross-eyed gag, we are lifted into a strange pixie-world, all its own.

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