The best Jorge Silva’s movies
Today we present the best Jorge Silva’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jorge Silva’s movies.
Two Brothers, My Sister
7/10
This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.
Cats Don't Have Vertigo
7.3/10
Jô is kicked out of home by his father on his birthday. Having no place to go, he takes refuge in the terrace of Rose, who just lost her husband.
Alto Bairro
6.7/10
In Lisbon 1950, John, 13, decides to invade the neighborhood of prostitutes, nobility and sailors, starting a new stage in his life. Today this neighborhood is reflected in a scattered public debate centered on its night life.
Adam and Eve
5.7/10
Catarina Menezes is a bisexual TV reporter who decides to have a child on her own and chooses Spanish humanitarian doctor Rafael to father the child, setting up an elaborate charade to lure him into her bed. When Catarina reveals her pregnancy, though, her current live-in girlfriend doesn't take to it kindly and promises to make Catarina's life hell; to make matters worse, Rafael finds out her true identity and comes to Lisbon to see her. And Catarina's sole refuge is in the arms of fellow journalist Francisco, her professional relationship slowly becoming a romantic one.
When It Thunders
5.5/10
The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.
The Great Kilapy
6/10
Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.
Cavaleiros De Água Doce
7/10
After the passing of one of his friends, João remember's the summer he had with his friends when he was 12 years old.
Um Jantar Muito Original
6.6/10
1907. The Porto Chamber has just been won by the Republicans, in full monarchy, three years away from the revolution. Republican ideas are taking hold and monarchical institutions are beginning to be shaken. However, the Sociedade Gastronómica de Lisboa resists and apparently is one of the strongest bastions of the monarchy. But winds of change blow within the walls of the traditional and conservative Society.
A young member, Dr. Duarte Rodrigues, decides to run for president, held by the mysterious Prositt, who made his fortune in Africa. Duarte, stating that he does not want to betray the illustrious president, but as he is somewhat worn out and hopelessly dazzled by the leadership, he is able to artfully convince others to convince him, Duarte, to move forward, serving them for this. , in a dinner of taking power, a dish of unexpected excellence and very original.
Outra Forma de Luta
In early 1985, the writer Nuno Bragança hands his friend Carlos Antunes a 13 question’s questionnaire; 13 sheets of graph paper, of which he offered the recto-verso of each for his friend to answer. The questions were about Carlos Antunes’ personal and political career, with a special interest in his involvement in the Revolutionary Brigades and the armed struggle against the dictatorship that led to his arrest in 1978. The untimely death of the writer, in the same year, left the questionnaire unanswered and some uncertainty as to its purpose. After almost 30 years, the director asks Carlos Antunes to answer the 13 questions and to reconstruct the achievements, illusions and sorrows of the Revolutionary Brigades in Portugal, in the years surrounding the Carnations’ Revolution in 1974.
