The best Jorge Silva Melo’s movies
Today we present the best Jorge Silva Melo’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jorge Silva Melo’s movies.
Silvestre
7.4/10
A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.
The Satin Slipper
6.9/10
During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.
He Goes Long Barefoot That Waits For Dead Men's Shoes
6.7/10
The tribulations of two friends who, in despair, start begging from door-to-door, and are given a bundle including, literally, a pair of deadman's shoes
Repórter X
6.3/10
A story about character created by Reinaldo Ferreira (1897-1935), action reporter, mystery novelist and emotion journalist.
Ainda Não Acabámos: Como Se Fosse Uma Carta
A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings.
Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease.
I want, with this film continue to show what I see.
[Jorge Silva Melo]
The Conversation Is Over
6.3/10
The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.
E Não se Pode Exterminá-lo?
The film of a performance of a selection of cabaret comedy sketches by Karl Valentin, with Jorge Silva Melo as stage director. The show was a complete success and has become almost legendary. Solveig Nordlund shot it, adding some more sketches that weren’t included on the show.
Island of Loves
7.3/10
This film depicts the life of the 19th-century Portuguese writer Wenceslau De Moraes by means of nine ancient ballads from China. The writer married a Chinese woman after he left his wife and family to go live in Macao. Later, he moved to Japan where he fell in love with a Japanese woman, staying in Japan for the rest of his life. Mixed in with the career and loves of Moraes is the history of Portugal at home and in its colonies.
Gestures and Fragments
6.1/10
"Essay on the Military and the Power", a phrase that also belongs to the title of "Gestures & Fragments", sums up the spirit of the film, based on three points of view on the same theme: Otelo Saraiva de Carvalho and Eduardo Lourenço, in their own roles, and the one played by Robert Kramer, as an American journalist bent on seeking explanations for the process of the Portuguese Revolution.
O Outro Teatro ou As Coisas Pertencem a Quem as Torna Melhores
O Outro Teatro proposes a look at the independent theater manifestations that came in the wake of the pioneering gestures of Teatro Experimental do Porto.
Lisboa no Cinema, Um Ponto de Vista
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.
A Girl in Summer
5.9/10
It is the end of summer and Isabel is a relationship with Diogo. She don't quite know what she wants from her life going forward as her father gets sick.
No Tempo do Cinema
A 58 minute documentary about the life of João Bénard da Costa.
Álvaro Lapa: A Literatura
When he was 16-years-old, a young man was so impressed by the paintings of an obscure painter, that he did his best to get acquainted with him, as an artist, and a painter. Eventually, the artist started writing, and impressing the cultural world of his country to the point he became an established artistic name, and a college teacher. So, too, did that young man grow to be a theater and film writer, producer, and director.
