The best Jonathan Pryce’s movies on Disney Plus

Jonathan Pryce

Jonathan Pryce

01/06/1947 (76 años)
Jonathan Pryce, CBE (born 1 June 1947) is a Welsh stage and film actor and singer. After studying at the Royal Academy of Dramatic Art and meeting his long time partner, English actress Kate Fahy, in 1974, he began his career as a stage actor in the 1970s. His work in theatre, including an award-winning performance in the title role of the Royal Court Theatre's "Hamlet", led to several supporting roles in film and television. He made his breakthrough screen performance in Terry Gilliam's 1985 cult film "Brazil". Critically lauded for his versatility, Pryce has participated in big-budget films such as "Evita", "Tomorrow Never Dies", "Pirates of the Caribbean" and "The New World", as well as independent projects such as "Glengarry Glen Ross" and "Carrington". His career in theatre has also been prolific, and he has won two Tony Awards—the first in 1977 for his Broadway debut in "Comedians", the second for his 1991 role as "The Engineer" in the musical "Miss Saigon".
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Pirates of the Caribbean: The Curse of the Black Pearl

Pirates of the Caribbean: The Curse of the Black Pearl
8.1/10
Jack Sparrow, a freewheeling 18th-century pirate, quarrels with a rival pirate bent on pillaging Port Royal. When the governor's daughter is kidnapped, Sparrow decides to help the girl's love save her.

Pirates of the Caribbean: At World's End

Pirates of the Caribbean: At World's End
7.1/10
Captain Barbossa, long believed to be dead, has come back to life and is headed to the edge of the Earth with Will Turner and Elizabeth Swann. But nothing is quite as it seems.

Pirates of the Caribbean: Dead Man's Chest

Pirates of the Caribbean: Dead Man's Chest
7.4/10
Captain Jack Sparrow works his way out of a blood debt with the ghostly Davy Jones to avoid eternal damnation.

Bedtime Stories

Bedtime Stories
6/10
Skeeter Bronson is a down-on-his-luck guy who's always telling bedtime stories to his niece and nephew. But his life is turned upside down when the fantastical stories he makes up for entertainment inexplicably turn into reality. Can a bewildered Skeeter manage his own unruly fantasies now that the outrageous characters and situations from his mind have morphed into actual people and events?

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