The best Jonathan Caouette’s movies

Jonathan Caouette

Jonathan Caouette

We present our ranking of the best Jonathan Caouette’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Jonathan Caouette.
Genre:

Shortbus

Shortbus
6.4/10
A group of New Yorkers caught up in their romantic/sexual milieu converge at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality, and loosely inspired by various underground NYC gatherings that took place in the early 2000s. Here, gay couple Jamie (PJ DeBoy) and James (Paul Dawson) meet Ceth (Jay Brannan), a young ex-model and aspiring singer.

Kiss of the Damned

Kiss of the Damned
5.5/10
Beautiful vampire Djuna tries to resist the advances of the handsome, human screenwriter Paolo, but eventually gives in to their passion. When her seductive and highly volatile sister Mimi unexpectedly comes to visit, she threatens Djuna's new relationship, and the whole vampire community becomes endangered.

Tarnation

Tarnation
7.1/10
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Fabulous! The Story of Queer Cinema

Fabulous! The Story of Queer Cinema
7/10
  • Genre: Documentary
  • Release: 01/01/2006
  • Character: Himself
A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Fat Girls

Fat Girls
5/10
  • Genre: ComedyDrama
  • Release: 28/04/2006
  • Character: Seymour Cox
Fat Girls is an original off-beat comedy feature. It focuses on Rodney Miller, not your typical Texas high school student...he is a theater lover and his ultimate dream is to be on Broadway. Awkward and shy, he doesn't have many people to talk to in his small Texas town that understand him. He ends up finding what he was looking for in his theater teacher, Mr. Cox

Gifted and Challenged: The Making of 'Shortbus'

Gifted and Challenged: The Making of 'Shortbus'
7.9/10
  • Genre: Documentary
  • Release: 13/03/2007
  • Character: Himself
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.

Agony

Agony
3.5/10
A discontented New York family woman is unexpectedly called to Tuscany to execute her estranged mother's will. There, she must decipher visions of her forgotten childhood and confront a spectral "Lady in Red," whose dark secret unlocks a terrifying destiny.

How I Learned to Love the Numbers

How I Learned to Love the Numbers
8.5/10
  • Genre: Documentary
  • Release: 27/11/2014
  • Character: Himself
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

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