The best Jonathan Boudina’s movies
If you love cinema, you will share this ranking of the best Jonathan Boudina’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Jonathan Boudina.
Dalida
6.9/10
Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine's picture "Le Sixième Jour", and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.
Paris Pigalle
5.2/10
Paris, 1982. Franck and Serge are police investigators in charge of making a good catch in the Parisian porn industry. In order to infiltrate the mafia, they take over a peep show in Pigalle riddled with debts. In attempt to jump start the business, they begin to produce short porn films.
Barbara
6/10
When a director sets out to make a film about popular French singer Barbara, both he and the actress who is to play her are overwhelmed by the project.
Synonyms
6.3/10
A young Israeli man absconds to Paris to flee his nationality, aided by his trusty Franco-Israeli dictionary.
Despite the Night
5.8/10
We enter the film like into a dream. Paris. Lenz looks for Madeleine who has mysteriously disappeared. He encounters Hélène, a young woman bewitched by her self-destructive impulses. A crazy love develops between them. Louis and Léna, devoured by their jealousy, lead Lenz to follow, against his better wishes, Hélène into the subterranean world of a dark sexual exploitation network. Although lost, lost from the first, love is what saves us.
The Great Game
5.4/10
Pierre Blum, 40, is a writer who had his time of glory in the early 2000s. One evening, on a casino terrace, he meets Joseph Paskin. This mysterious man, charismatic and manipulative, is influential in the world of politics and persuades Pierre to take on a strange mission that takes him back to a past he’d prefer to forget, and puts his life in danger. In the middle of all this, Pierre falls in love with Laura, a young extreme-left activist. But in this world of subterfuge, who can really be trusted?
