The best Jonathan Andersson’s romance movies

Jonathan Andersson

Jonathan Andersson

If you love cinema, you will share this ranking of the best Jonathan Andersson’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Jonathan Andersson.

Boys On Film 19: No Ordinary Boy

Boys On Film 19: No Ordinary Boy
6.4/10
As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.

Shed No Tears

Shed No Tears
6.9/10
Pål dreams about becoming successful with his music, but he has one major obstacle: himself. He's a diamond in the rough, and the only things greater than his musical talent are his obsessions, which constantly get him into trouble. We follow Pål on an emotional journey one summer in Gothenburg where he is thrown between passion and deceit; love, reconciliation and deliverance.

No More We

No More We
6.5/10
Boyfriends Hampus and Adrian are in a destructive relationship. When Hampus finally works up the nerve to call it quits, he finds himself relieved. Adrian, however, is not quite ready to say goodbye. Examining the final week of a gay love affair, award-winning short film director David Färdmar begins with the end.

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