The best John Trudell’s drama movies

An FBI man with Sioux background is sent to a reservation to help with a murder investigation, where he has to come to terms with his heritage.

Guy Luthan, a British doctor working at a hospital in New York, starts making unwelcome enquiries when the body of a man who died in his emergency room disappears. After the trail leads Luthan to the door of an eminent surgeon at the hospital, Luthan soon finds himself in extreme danger people who want the hospital's secret to remain undiscovered.

In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to the great powwow, an Indian meeting. While traveling, Grandpa tells mysterious Indian tales of love, friendship and magic.

Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family, and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains

Buddy Red Bow is struggling, in the face of persecution, by greedy developers and political in-fighting, to keep his nation on a Montana Cheyenne Reservation financially solvent and independent. Philbert, a simple-minded friend of Buddy's, ardently pursues Native American/First Nation wisdom and lore wherever he can find it--even on Bonanza--in order to earn his warrior name. He's even got his war pony, Protector: a beat-up old wreck of a car. Buddy's sister has been arrested in Santa Fe, and together Buddy and Philbert set off on a road trip to look after her kids and go bail her out. However, Bonnie's arrest has something strange about it as her friend Rabbit points out. As the miles roll by, Philbert's faith challenges Buddy's hard-edged view of the world (and occasional bout of reckless violence), and together they face the realities and dreams of being Cheyenne in the modern-day US as they fight to free Bonnie and her children and elude the Feds.

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.