The best John Slater’s romance movies
If you love cinema, you will share this ranking of the best John Slater’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about John Slater.
The Million Pound Note
6.8/10
An impoverished American sailor is fortunate enough to be passing the house of two rich gentlemen who have conceived the crazy idea of distributing a note worth one million pounds. The sailor finds that whenever he tries to use the note to buy something, people treat him like a king and let him have whatever he likes for free. Ultimately, the money proves to be more troublesome than it is worth when it almost costs him his dignity and the woman he loves.
Millions Like Us
6.8/10
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Eric Portman, Megs Jenkins, and Anne Crawford, was written by Sidney Gilliat, and directed by Gilliat and Frank Launder. It was filmed at Gainsborough Studios. When Celia Crowson (Roc) is called up for war service, she hopes for a glamorous job in one of the services, but as a single girl she is directed into a factory making aircraft parts. Here she meets other girls from all different walks of life, and begins a relationship with a young airman.
Star of India
5.6/10
Squire Pierre St. Laurent returns from wars in India to 17th-century provincial France to find his estate confiscated by governor Narbonne, for back taxes, and resold to Katrina, a Dutch Countess. Katrina offers to return Pierre's property if he will help her get possession of the 'Star of India,' a fabulous sapphire, held at the moment by Narbonne.
Hot Summer Night
Jacko, a respected union man, is fighting for the promotion of a Jamaican colleague to chargehand, but when his daughter brings home her black boyfriend, he realises that racial prejudice is rife within his own home. This powerful drama exposes the deep-seated racial tensions hidden in British family life during the late 1950s. Written for the stage by Unity Theatre's Ted Willis, this television recording was filmed a few weeks after the play's successful West End run, and most of the stage cast repeat their roles here, including the terrific John Slater, Andree Melly and Lloyd Reckord. The drama's interracial kiss is probably the first to be shown on British TV.
