The best John Slater’s drama movies
If you love cinema, you will share this ranking of the best John Slater’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about John Slater.
It Always Rains on Sunday
7.1/10
During a rainy Sunday afternoon, an escaped prisoner tries to hide out at the home of his ex-fiance.
I Live in Grosvenor Square
6.1/10
The WW II romance set in Grosvenor square aka Eisenhower's home where the GIs stayed in London. Neagle loves Harrison. There arrives patriot GI Dean Jagger to rouse things up in the square. Snotty British Neagle and Jagger clash and fall for each other. What will Harrison have to say or do about these? What will the consequences be? Will the three finally become two and which two in this extremely patriotic love and war story.
Love on the Dole
6.6/10
Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
The Seventh Veil
6.7/10
A concert pianist with amnesia fights to regain her memory.
Violent Playground
6.6/10
A Liverpool juvenile liaison officer struggles with a young and dangerous pyromaniac.
Noose
6.1/10
Set in post Second World War Britain, Noose is the story of black market racketeers who face attempts to bring them to justice by an American fashion journalist, her ex-army fiancée and a gang of honest toughs from a local gym. When a corpse turns up at black market front The Blue Moon Club, Yank reporter Carole Landis starts snooping, much to gang boss Joseph Calleia’s annoyance. And soon there’s a hit man on the way...
Millions Like Us
6.8/10
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Eric Portman, Megs Jenkins, and Anne Crawford, was written by Sidney Gilliat, and directed by Gilliat and Frank Launder. It was filmed at Gainsborough Studios. When Celia Crowson (Roc) is called up for war service, she hopes for a glamorous job in one of the services, but as a single girl she is directed into a factory making aircraft parts. Here she meets other girls from all different walks of life, and begins a relationship with a young airman.
The New Lot
7.1/10
A new batch of Army recruits, from diverse backgrounds and with varying degrees of commitment, is shaped into an efficient fighting unit.
They Flew Alone
6.1/10
The story of flyer Amy Johnson the girl from Yorkshire who won the hearts of the British public in the 1930s with her record-breaking solo flights around the world. Her marriage to fellow aviator Jim Mallison was less noteworthy.
A Place to Go
6.5/10
Set in contemporary Bethnal Green in east London, A Place to Go charts the dramatic changes that were happening in the lives of the British working-class at the time.
Unpublished Story
6.4/10
Morale-boosting story released in the middle of World War II. A journalist uncovers a peace organisation at the centre of disreputable dealings.
Against the Wind
6.3/10
A disparate group of volunteers are trained as saboteurs and parachuted into Belgium to blow up an office containing important Nazi records and to rescue a prominent S.O.E. agent, who is being interrogated by the Germans for vital information.
Prelude to Fame
6.3/10
Prelude to Fame is a 1950 British drama film directed by Fergus McDonell from a story by Aldous Huxley. While vacationing in Italy, Nick Morell (Robin Dowell), son of John Morell (Guy Rolfe), a famous English philosopher and amateur musician and his wife Catherine (Kathleen Ryan), becomes friendly with young Guido (Jeremy Spenser), and Morell discovers the boy has an extraordinary instinct for orchestration and a phenomenal music memory. A neighboring couple, Signor and Signora Boudini (Henry Oscar and Kathleen Byron) become aware of the boy's talents, and she appeals to his parents to let her educate him musically. Torn by their love for their son and, they feel,the duty to let the world hear his talent, they consent.
Hot Summer Night
Jacko, a respected union man, is fighting for the promotion of a Jamaican colleague to chargehand, but when his daughter brings home her black boyfriend, he realises that racial prejudice is rife within his own home. This powerful drama exposes the deep-seated racial tensions hidden in British family life during the late 1950s. Written for the stage by Unity Theatre's Ted Willis, this television recording was filmed a few weeks after the play's successful West End run, and most of the stage cast repeat their roles here, including the terrific John Slater, Andree Melly and Lloyd Reckord. The drama's interracial kiss is probably the first to be shown on British TV.
