The best John P. Ryan’s science fiction movies
Today we present the best John P. Ryan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best John P. Ryan’s movies.
Futureworld
5.7/10
Two years after the Westworld tragedy in the Delos amusement park, the corporate owners have reopened the park following over $1 billion in safety and other improvements. For publicity purposes, reporters Chuck Browning and Tracy Ballard are invited to review the park. Just prior to arriving at the park, however, Browning is given a clue by a dying man that something is amiss.
Class of 1999
5.9/10
The time is in the future and the youth gang violence is so high that the areas around some schools have become "free-fire zones", into which not even the police will venture. When Miles Langford, the head of Kennedy High School, decides to take his school back from the gangs, robotics specialist Dr. Robert Forrest provides "tactical education units". These are amazingly human-like androids that have been programmed to teach and are supplied with devastatingly effective solutions to discipline problems. So when the violent, out-of-control students of Kennedy High report for class tomorrow, they're going to get a real education... in staying alive!
It's Alive
5.8/10
Lenore Davis and her husband Frank are about to have their second child. As she gives birth, the newborn baby vanishes and leaves behind five dead bodies. It's up to the police and Frank to figure out where their mutated child has gone.
Miss Lonelyhearts
6.8/10
Although based on Nathanael West's novel that essentially trashes the journalist's trade as cold-hearted and Machiavellian, director Michael Dinner has opted to make his journalist a pathetic figure instead. The story centers on a reporter who is trapped into writing the "Miss Lonelyhearts" column for a local newspaper and then slowly comes apart emotionally and psychologically as he gets involved with the troubles of his readers. While the plot of the film remains solid, the characterization of the journalist changes the intent -- and whether that is for better or worse will depend on the viewer.
