The best John P. Ryan’s comedy movies
Today we present the best John P. Ryan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best John P. Ryan’s movies.
Fatal Beauty
5.4/10
Rita Rizzoli is a narcotics cop with a plethora of disguises. When a drug shipment is hijacked, the thieves don't know that the drug is unusually pure and packs of 'Fatal Beauty' begin turning up next to too many dead bodies. Mike works for the original owner of the drugs and tries to tell himself that since he does not handle the drugs, he is 'clean'. Mike becomes Rita's constant companion.
Three O'Clock High
7.1/10
Nerdy high schooler Jerry Mitchell is assigned to write an article for the school paper about the infamous new delinquent transfer student, Buddy Revell. When Jerry accidentally invades Buddy's personal space and touches him, Buddy challenges Jerry to an afterschool fight in the parking lot, which Jerry tries to avoid at all costs.
Rent-a-Cop
4.6/10
A sex worker seeks protection from an ex-cop after a failed drug bust throws their lives into turmoil.
The Escape Artist
6.1/10
The young and self-confident Danny blufs at the local police-station that he will escape out of prison within one hour. What follows is a flashback about his childhood with his uncle and aunt, which are 'vaudeville'-artists themselves.
Paramedics
4.1/10
Two paramedics are transferred to the nasty part of the city where a gang is killing people to sell their organs.
Cops and Robbers
6.4/10
Two disillusioned New York policemen plan a $10 million robbery to fuel their low pensions, only to run into one debacle after another in the process.
Miss Lonelyhearts
6.8/10
Although based on Nathanael West's novel that essentially trashes the journalist's trade as cold-hearted and Machiavellian, director Michael Dinner has opted to make his journalist a pathetic figure instead. The story centers on a reporter who is trapped into writing the "Miss Lonelyhearts" column for a local newspaper and then slowly comes apart emotionally and psychologically as he gets involved with the troubles of his readers. While the plot of the film remains solid, the characterization of the journalist changes the intent -- and whether that is for better or worse will depend on the viewer.
