The best John Lurie’s drama movies
If you love cinema, you will share this ranking of the best John Lurie’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about John Lurie.
Paris, Texas
8.1/10
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
The Last Temptation of Christ
7.5/10
Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.
Desperately Seeking Susan
6.1/10
Roberta is a bored suburban housewife who is fascinated with a woman, Susan, she only knows about by reading messages to and from her in the personals section of the newspaper. This fascination reaches a peak when an ad with the headline "Desperately Seeking Susan" proposes a rendezvous. Roberta goes too, and in a series of events involving amnesia and mistaken identity, steps into Susan's life.
Down by Law
7.7/10
A disc jockey, a pimp and an Italian tourist escape from jail in New Orleans.
Permanent Vacation
6.2/10
In downtown Manhattan, a twenty-something boy whose Father is not around and whose Mother is institutionalized, is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few characters along the way.
Stranger Than Paradise
7.4/10
Rootless Hungarian émigré Willie, his pal Eddie, and visiting sixteen-year-old cousin Eva always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb.
New Rose Hotel
5.1/10
A corporate raider and his henchman use a chanteuse to lure a scientific genius away from his employer and family.
Downtown '81
6.9/10
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
Underground U.S.A.
5.1/10
The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.
