The best John Bloom’s movies on Google Play Movies

It's vacation time for outdoorsy Chicago man Chet Ripley, along with his wife, Connie, and their two kids, Buck and Ben. But a serene weekend of fishing at a Wisconsin lakeside cabin gets crashed by Connie's obnoxious brother-in-law, Roman Craig, his wife, Kate, and the couple's two daughters. As the excursion wears on, the Ripleys find themselves at odds with the stuffy Craig family.

After years of war, the Federation and the Klingon empire find themselves on the brink of a peace summit when a Klingon ship is nearly destroyed by an apparent attack from the Enterprise. Both worlds brace for what may be their dealiest encounter.

A motocross team on their way to trial a new super-fuel head out across the desert lead by Rachel, who, unbeknownst to the rest of the group, is a survivor of the cannibal clan which menaced the Carter family several years before. Opting to take an ill-advised shortcut, the busload of youngsters drive straight into the path of the remnants of Rachel’s demented cannibal kin - the menacing Pluto, and a hulking, blood-hungry brute by the name of The Reaper.

Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this