The best Joan Shawlee’s music movies

Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.

Photographer Greg Nolan moonlights in two full-time jobs to pay the rent, but has trouble finding time to do them both without his bosses finding out.

Unable to complete the deal by telephone, advertising executive Roberts sends his assistant Ann to Cuba to lure a Cuban band, led by Desi Arnaz, on to an American radio program. Attracted to Ann, Arnaz and his band come to New York but complications arise when the squeaky-voiced, addle-brained sponsor of the program decides she wants to be the vocalist on the program.

Marshal Johnnie Taggart (Jon Hall) , posing as an outlaw named "Ace" Braddock, comes to Bannack, Montana to restore law and order. But he is recognized by Kitty, co-owner with Clay Curtwright of the infamous Bull Whip saloon. But "bad-girl" Kitty keeps her mouth shut. When Johnnie's pal Andy reports a stage holdup, Curtwright's henchman, Ben Borden, talks the sheriff and Judge Holden into suspecting Johnnie. Johnnie reveals himself to Judge Holden as a government marshal, and the judge voices his opinion that Curtwright is the leader of the road agents, but voices it in the presence of his granddaughter, Louise Holden. The Judge doesn't know that Louise is in love with Curtwright, and she tips him off as to Johnnie's real identity. Curtwright frames Johnnie for a murder and arranges for the crooked sheriff to promote a lynching and Andy and Kitty help Johnnie escape jail. Johnnie rounds up vigilantes and heads for a showdown at the Bull Whip saloon