The best Jimmie Vaughan’s movies on YouTube
Today we present the best Jimmie Vaughan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jimmie Vaughan’s movies.
Blues Brothers 2000
4.9/10
Finally released from prison, Elwood Blues is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops.
Eric Clapton's Crossroads Guitar Festival
8.8/10
Often credited as being one of the all-time greatest guitarists, and known amongst his peers as one of the all-time greatest collaborators. The ultimate Clapton collaboration took place on June 26, 2010 at Chicago's Toyota Park. For one day only, Clapton gathered the past, present, and future of guitar music onto one stage for an incredible all-day musical event in front of a crowd of over 27,000.
Austin City Limits Celebrates 40 Years
7.1/10
The star-studded special celebrates the trailblazing music series' 40th anniversary. With guest hosts Jeff Bridges, Matthew McConaughey and Sheryl Crow, the two-hour broadcast features memorable moments from the show's remarkable run, anchored by some of the brightest stars in the show's history returning to the AUSTIN CITY LIMITS stage for incredible performances. Highlights include legends Willie Nelson, Bonnie Raitt, Foo Fighters, Emmylou Harris, Kris Kristofferson, Gary Clark Jr., Lyle Lovett, Alabama Shakes, Buddy Guy and more performing in celebration of AUSTIN CITY LIMITS' legacy as an American music institution over the last four decades.
A Tribute to Stevie Ray Vaughan
One by One, the musicians climb on stage and take their places: B.B. king, Eric Clapton, Buddy guy, Robert Cray, Bonnie Raitt, Jimmie Vaughan, Dr, john and Art Neville. Vaughan, standing at center stage, launches into "Six Strings Down," A moving tribute to his late brother, Stevie Ray, whose memory has drawn this group together. The guitarists fall in, each finding a corner of the song to call their own; King plays fills to Clapton's solo, Cray fires off economical, chiming counterpoint to Raitt's stinging slide, and Guy unleashes piercing single-notes bends to answer Vaughan, who's finger-picking the main theme on his battered Stratocaster. Suddenly, the song blasts into the stratosphere, a gorgeous mosaic of clarion guitar tones.
