The best Jill Flint’s movies
Today we present the best Jill Flint’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jill Flint’s movies.
The Amazing Spider-Man
6.9/10
Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
The Mule
7/10
Earl Stone, a man in his eighties, is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he's just signed on as a drug courier for a Mexican cartel. He does so well that his cargo increases exponentially, and Earl hit the radar of hard-charging DEA agent Colin Bates.
The Women
5/10
The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary's man.
Cadillac Records
7/10
The story of sex, violence, race and rock and roll in 1950s Chicago, and the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin' Wolf, Etta James and Chuck Berry.
Garden State
7.4/10
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
On Broadway
5.8/10
On Broadway tells the story of Jack O'Toole, a 30-something Boston everyman, who writes a play about his dead uncle as a way to reconnect with his hard-nosed dad. With no money and just his gut to guide him, Jack quits his job as a carpenter so that he can mount a production of his play on the only stage he can afford: in the back room of his neighborhood pub, on a little street called Broadway.
Fake
5.4/10
Daniel Jakor is one of the most prolific and successful artists the world has never heard of. Struggling to sell his own art, he soon finds his true genius lies not in the creation of his own work but in the forgery of the great masters that have come before him- artists like Picasso, Monet, Degas and Renoir. And with the help of a Tay Murphy, corrupt gallery owner in Boston, Daniel soon learns the intricacies of the art world as he becomes a true master himself. But Tay's life is spiraling out of control and his personal demons have brought him to the edge where he hangs on by a thread. Indebted to the mob for more than he can possibly pay back, Tay gets Daniel roped into working for Seamus White, the head of the Irish "family" in New England and an avid art collector. As Seamus's schemes become bolder and bolder, not only pushing the boundaries of Daniel's ability but the limits of forgery itself...
How I Got Lost
5.2/10
HOW I GOT LOST is the heartbreaking yet hopeful story of Andrew and Jake, two friends dealing with loss amidst events bigger than them. Andrew is the friend we all have, the one who convinces you to come along despite your better judgment. Talented but with seemingly nothing to lose, his tailspin is balanced only by his professional drive to succeed as a trader on Wall Street. His best friend Jake, broken-hearted and writing sports instead of fiction, does his best to clean up the mess his friend creates until he runs into his capricious ex, Sarah again. So Andrew convinces him to ditch New York and hit the road, going nowhere. They commandeer a cab to Philadelphia, where they borrow Andrews moms station wagon. But when their car runs out of gas in the middle of Pennsylvania, Andrew reveals the real reason for the trip -- his father has died, and he doesn't think he can make it through the funeral alone.
