The best Jiří Vyorálek’s movies
We present our ranking of the best Jiří Vyorálek’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Jiří Vyorálek.
Milada
6.3/10
The story of communist show-trial victim Milada Horáková. Horáková was one of the first victims of the communist regime in Czechoslovakia. She opposed the communist coup in 1948 but did not leave the country. She was arrested and tried for treason on fabricated charges in a show trial that was broadcast on the radio and shown in film clips. The film focuses on the time from 1945 to 1950 when the communists took over, but also goes back a little further in Horáková's life into the late 1930s
Jedině Tereza
5.3/10
A Prominent Patient
6.6/10
In 1939, Czech diplomat Jan Masaryk flees to the United States to escape his recent past: Germany has invaded Czechoslovakia and he is now a man with no nation; because, as the Czechoslovak ambassador in London, he failed to win the support of the British and could not avert the fall of his country and the outbreak of the World War II.
Deckname Holec
6/10
Young director Honza David films the Russian invasion in in Prague in August 1968. With Eva the love of his life he tries to get out of the country. He wants to bring the explosive material to Vienna, to the director of the Austrian Television Helmut Zilk. He knows Eva very well but the Czech Secret Service even better ...
The Messenger
4.8/10
Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.
The Pack
6.1/10
When his family moves to the city of Zlín and 16-year-old David joins a new hockey team, the Wolves, he is determined to succeed. There’s, however, the other goalie, Miky – and his position seems unshakeable. The team doesn’t welcome David with open arms either. Captain Jerry and his gang do as they please, while the team follows the ‘law of the pack’. David has been weakened by his recently discovered diabetes, and that is not tolerated here. He is still coming to terms with his body, learning to estimate the insulin doses his life depends on. On the team, David is the outsider, bracing the avalanche of bullying that gradually gains speed.
Us 2
5.6/10
A love story of the 21st century. Hoping for change, Ema (Jana Plodková) runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony (Ondrej Nosálek), even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.
Watchmakerʼs Apprentice
5.7/10
Urban, an orphan, serves a greedy master watchmaker as an apprentice. When Urban grows up, he falls in love with the watchmaker's daughter Laura and wants to marry her. Before this can happen, the master sends his apprentice out into the world with the task of looking for a mythical watch that can warn of death. No one knows if the watch even exists, but if Urban doesn't bring it back, Laura will never be his wife. The watchmaker's apprentice therefore sets out on a long journey full of hardships, which he must overcome with bravery, skill and a good heart.
Men in Rut
5.8/10
Long Live the Family!
6.7/10
Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).
Úhoři mají nabito
3.7/10
The Greatest Czechs
6.4/10
Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?
Divadlo Na zábradlí: Tajný agent
První akční hrdina
5.8/10
Ženy, které nenávidí muže
4.8/10
Neptune
6.9/10
In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.
Changes
5.9/10
