The best Jessye Norman’s movies
Today we present the best Jessye Norman’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jessye Norman’s movies.
Mitterrand, président culturel
On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.
Ozawa
8.2/10
This intimate portrait of the legendary conductor Seiji Ozawa focuses on the Japanese master and teacher's career, his advocacy of modern composers and the behind-the-scenes world of the symphony orchestra.
Die Walküre
8/10
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Berlioz: Les Troyens
8.1/10
Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orchestra and ballet, a superb conductor who understands the uniqueness of the score—plus a production that does visual justice to the work. “A stupendous achievement” was one critic’s assessment of Peter Wexler’s inventive production. And with James Levine’s wizardry galvanizing the marvelous all-star cast, this is truly a gem. Plácido Domingo is the legendary hero Aeneas, Jessye Norman the obsessed prophetess Cassandra, and Tatiana Troyanos is Queen Dido, who commits suicide when Aeneas leaves her.
Dialogues des Carmélites
In this legendary production, director John Dexter and designer David Reppa brilliantly captured the stark drama of Poulenc’s only full-length opera, which tells the story of a group of nuns caught in the maelstrom of the French Revolution. Maria Ewing is Blanche de la Force, an aristocratic novice who flees her convent when it is desecrated, only to return and join her fellow nuns as they are led to their execution. The legendary Régine Crespin, in her final Met appearance, is Madame de Croissy, the prioress whose agonizing death haunts Blanche. Jessye Norman sings Mother Lidoine, the new prioress, and Florence Quivar is the comforting Mother Marie. French maestro Manuel Rosenthal conducts.
Ariadne auf Naxos
7.7/10
Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.
Toni Morrison Remembers
Nobel Prize winner Toni Morrison is America's first lady of literature. Her books encompass black American history but live and breathe in the present, rich in vivid characters, haunted by ghosts. Born poor in Ohio in 1931, she now lives in New York. She tells Alan Yentob how her father hated whites so much he wouldn't let them in the house. Her masterpiece, Beloved, shows the horrors of slavery perhaps better than any other artwork. She talks as she writes - with warmth and wit. Contributors include Angela Davis (whose biography she edited) and singer Jessye Norman.
Bluebeard's Castle / Erwartung - The Met
Bela Bartok's and Arnold Schoenberg's haunting excursions into the nightmare of the unconscious.
