The best Jerzy Skolimowski’s movies
We present our ranking of the best Jerzy Skolimowski’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Jerzy Skolimowski.
The Avengers
8/10
When an unexpected enemy emerges and threatens global safety and security, Nick Fury, director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!
Mars Attacks!
6.4/10
'We come in peace' is not what those green men from Mars mean when they invade our planet, armed with irresistible weapons and a cruel sense of humor. This star studded cast must play victim to the alien’s fun and games in this comedy homage to science fiction films of the '50s and '60s.
Eastern Promises
7.6/10
A Russian teenager, living in London, dies during childbirth but leaves clues to a midwife in her journal, that could tie her child to a rape involving a violent Russian mob family.
Deep End
7.2/10
London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.
White Nights
6.7/10
After his plane crashes in Siberia, a Russian dancer, who defected to the West, is held prisoner in the Soviet Union. The KGB keeps him under watch and tries to convince him to become a dancer for the Kirov Academy of Ballet again. Determined to escape, he befriends a black American expatriate and his pregnant Russian wife, who agree to help him escape to the American Embassy.
Day of the Siege
4.3/10
Storyline: In the summer of 1683, 300 000 Ottoman Empire's warriors begin the siege of Vienna. City's fall, will open way to conquer the Europe. The Sept 11 is the day of main battle between Polish cavalry under the King Jan III Sobieski and Turks.
The Stolen Caravaggio
6/10
Valeria, young secretary of a producer, lives with an eccentric mother and secretly writes for a successful screenwriter, Alessandro. One day, she receives an unusual present from a stranger: it’s the plot of a movie about the mysterious but really-happened theft of a famous Caravaggio’s painting.
Big Shots
5.7/10
Following the death of his father, a suburbanite runs away from home and winds up on Chicago's South Side. After being mugged, the boy befriends a young hustler and, after stealing a gangster's car, the two embark on an adventure down south in search of the hustler's estranged father.
30 Door Key
5.6/10
A young writer in 1939 Warsaw faces the conflict of acting his age or relapsing into childhood during the brink of World War II. Based on the famous novel Ferdydurke by Witold Gombrowicz.
Julius
6.1/10
An organised arts teacher has only one main problem in life, which is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour.
Identification Marks: None
6.6/10
The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center
Innocent Sorcerers
7.3/10
A young doctor who is sought by women meets one that he likes.
Circle of Deceit
7.1/10
Georg Laschen leaves his family in West Germany to go work as a war correspondent in Beirut during the fights between Christians and Palestinians.
A Slip-Up
6.2/10
The main character has quit school, makes a living by taking pictures. He seduces a nurse who treated his head wound which he earned in a fight. They witness a hit-and-run driver killing a little girl on a sled. He builds up an elaborate trap by putting a doll dressed as a child down the hill in the path of a car. The man hits it and thinking that he hit a child - runs. Marek takes pictures of him and tries to blackmail him to use his car for a week. He wants to use the car to win back the nurse, who could not cope with his humors...
Operacja Samum
5.3/10
The war between Iraq and Kuwait is just about to begin. While all foreigners are leaving Iraq, Pawel, a young Polish engineer is captured by the Iraqi Secret Service. His father, a retired secret service operative goes to Iraq to attempt to rescue him not knowing that he is secretly being used as bait. Now, two Polish secret agents have been assigned by the CIA to attempt a rescue mission. The stakes are high, but are they high enough to risk the life of one of the best officers?
Walkover
6.8/10
Walkover, the autobiographical second feature by Polish enfant terrible Jerzy Skolimowski echoes the French nouvelle vague in its extraordinarily stylized tale of a prizefighter who ducks a fight to romance a beautiful blonde.
Hands Up!
6.5/10
The reunion of a group of former medical students results in a flood of bitter memories.
Starting Out: The Making of Jerzy Skolimowski's Deep End
6.7/10
A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.
'Deep End': Remembering the Deleted Scenes
Short documentary about sequences removed from the film.
