The best Jeon Hye-jin’s romance movies

Jeon Hye-jin

Jeon Hye-jin

10/08/1976 (47 años)
Today we present the best Jeon Hye-jin’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jeon Hye-jin’s movies.

Obsessed

Obsessed
6.2/10
  • Genre: AdventureDramaRomance
  • Release: 14/05/2014
  • Character: Lieutenant Colonel Choi's wife (uncredited)
In a Korean military camp in 1969, a married colonel falls madly in love with the beautiful wife of his new subordinate officer.

Chronicle of a Blood Merchant

Chronicle of a Blood Merchant
6.8/10
Set in a village right after the Korean War, poor but good-hearted Heo Sam-gwan sets out to win the most beautiful girl in the village, Heo Ok-ran, by selling his blood to earn money. Years later, the two are happily married with three children, but their family undergoes a crisis when Sam-gwan's eldest son doesn't resemble him and rumors spread about the boy's paternity.

Antique

Antique
6.8/10
Jin-hyuk was brought up as the well-bred heir to a corporate fortune. He has got the looks, the money and the charm, but even so, true love is hard to find. Jin-hyuk opens up a cake shop and hires Sun-woo, a talented patissier who had a crush on Jin-hyuk back in high school. Together with Gi-beom, an ex-boxing champion and Su-young, a clueless bodyguard, four unique and handsome men stir up a quiet neighborhood when they show up at the cake shop, Antique.

All for Love

All for Love
6.8/10
A romantic comedy which portrays the most beautiful period in the lives of different couples who have just fallen in love.

The Naked Kitchen

The Naked Kitchen
5.7/10
  • Genre: DramaRomance
  • Release: 05/02/2009
  • Character: Kim Seon-Woo
Today is Mo-rae and Sang-in’s one-year wedding anniversary. After a busy morning preparing for the celebration, Mo-rae goes to an art gallery to find a gift for Sang-in. At the gallery, she meets a complete stranger and the two unexpectedly have sex. Mo-rae returns home feeling anxious and guilty about the incident and cannot help but confess it to Sang-in. That night, a visitor arrives at their house; Du-rae, who came from Paris to help Sang-in with his new business. To Mo-rae’s shock, he is the man from the gallery. He temporarily lives with the couple in their house and a risky love triangle begins.

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