The best Jennie Lathan’s movies
If you love cinema, you will share this ranking of the best Jennie Lathan’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Jennie Lathan.
Gangsters, Guns and Zombies
3.9/10
The whole "zombie thing" has been hyped up so much that everyone thinks it's the end of the world! Of course, where one man sees the dead rising from the grave, another sees opportunity. Q had a plan: drive the robbery getaway van, deliver everyone to the safe house and get paid - a nice, simple, plan. Unfortunately, life is never really that simple, and to top it all off, this is the first time Q has been a getaway driver. He's coping pretty well though, considering; TONY (the guy who is 'in charge' of the job) is a murderous nut case, DANNY was shot and is now bleeding all over the money in the back of the van, the Sat-Nav has a mind of its own, there's a guy in the back living up to his name "CRAZY STEVE", the safe-house already has police at it, and this whole "zombie thing" seems to be quickly becoming more of a "zombie apocalypse thing"...
The Stomach
6.4/10
Frank's had enough. A spirit medium whose unique and grotesque method of channeling the dead is putting his own life at risk, he wants out. But others, in this world and the next, have plans of their own. Part body horror, part crime thriller, part ghost story, The Stomach is a unique tale of Supernatural Noir.
Osteopathy
Steven an osteopath at a family run clinic, is finally given a chance to treat the patients in place of his injured overbearing father, with the help of receptionist Barbara. Will Steven finally get the big break he’s been waiting for?
The Man Who Met Himself
6.4/10
Who is Stephen Maker? Did he fake his own death, or do doppelgangers really exist? A mysterious call, a photograph of a man and a private detective compelled by the one case that has finally got to him. One stark but brilliant day in London, Austin Peterson takes a job from an anonymous client, a demand he knows he should refuse. He uses the feelings of the woman who loves him to get information. But this only raises more questions than it answers, leading Petersen deeper into the maze.
