The best Jean Rougeul’s movies

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

All eyes focus on the Vatican, watching for the traditional puffs of white smoke that signal the election of the next Pope. This time much more is at stake. The new pontiff may be the only person who can bring peace to a world on the brink of nuclear nightmare.

The myths of the sixties are satirized in 20 episodes.

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

Enrico Mattei helped change Italy’s future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ENI, a state body formed for the development of oil resources. On October 27, 1962, he died when his private airplane crashed during a flight to Milan. Officially, it is declared an accident, but many journalists explore other plausible reasons for Mattei's untimely death.

Bernard, a writer in a personal and creative crisis, decides to a short break in a hotel where he had stayed the previous year. The proprietors, old Enrico and his daughter Irma, hide a surly attitude, and the villagers seem to be oppressed by an unspeakable mystery. Bernard is looking for Tilde, a beautiful chambermaid whom he secretly fell in love with, but is shocked to find out that the girl killed herself. However, a hunchbacked photographer suggests she was murdered by Enrico, her lover, because she was pregnant and did not want to abort. Meanwhile, Mario, Enrico's unfriendly son, returns from honeymoon with his seemingly unhappy wife Adriana. The woman, who is kept like a prisoner in her room, tries to contact Bernard, but is soon found dead too. In an increasingly uneasy atmosphere there are two more killings before the culprit is revealed...

A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and Gabriella (the very beautiful secretary). Marco continues to kill as jealousy becomes more prevalent on the farm.

1972, Milano. We are just a few days before the general elections. The daughter of a well-known professor is found dead. Mr Bizanti, and Mr Montelli, editor-in-chief and owner of newspaper Il Giornale try to derail the official police investigation in order to help the fascist candidates they support in the upcoming elections.

Some youngsters rape and kill their teacher; but they won't tell their motivation. The police detective on the case feels some sinister influence behind the young murderers.

Mayor Peppone might very well lose the elections and Don Camillo makes sure that the mayor's delinquent son gets his act together while his own niece makes Peppone think she is pregnant by his son.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.

A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They all wind up at the beat-up shack of a cranky old codger, with the police surrounding them and the robbers threatening to kill everybody.

Italian comedy film made of three segments directed by Michelangelo Antonioni, Mauro Bolognini and Franco Indovina. First segment: Il Provino; second segment: Gli amanti celebri; third segment: Latin Lover.

Italy, 1972. Political elections are taking place and Christian Democrat victory is expected; but the electronic computer of the Ministry of the Interior reveals that the party with the highest number is the Italian Communist Party.

The film consists of twelve episodes, all with Monica Vitti as the protagonist.