The best Jean-Pierre Coffe’s movies

The beginning of the 20th century. Charles Swann, a young and wealthy dandy, spends most of his time hanging out with the old nobility, notably the Duke and Duchess of Guermantes. He is madly in love with a pretty demi-mondaine, Odette de Crécy. Idle, Swann surrendered complacently to the torments of jealousy. After hours of suffering, he manages to spend a night with Odette. In the morning, he believes that ultimately, this one is "not his type". However, we find him, many years later, alongside Odette who, now his wife, gave him a daughter. In the company of Baron de Charlus, brother of the Duchess of Guermantes, he wonders about the failure of his sentimental life, so far removed from this absolute he dreamed of...

One night Mia has a premonition. So after saying a few words of parting at her mother’s grave, she sets out on a cross continent journey, though mountains and jungles in search of her father, who has been trapped in a landslide at a construction site on a remote tropical lake. In the middle of the lake stands the ancient Tree of Life, watched over by innocent, bumbling forest spirits called the Migoo, who grow and change shape as they please, morphing from small childlike beings to petulant giants. The Migoo have been disrupting the construction to protect this sacred site – and now together with Mia they join in a fight to find Mia’s father and save the Tree, with the future of life on Earth hanging in the balance.

After the death of her little boy, Anita wants to take her own life.

The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi