The best Jean-Pierre Becker’s movies
If you love cinema, you will share this ranking of the best Jean-Pierre Becker’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Jean-Pierre Becker.
Amélie
8.3/10
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Julie & Julia
7/10
Julia Child and Julie Powell – both of whom wrote memoirs – find their lives intertwined. Though separated by time and space, both women are at loose ends... until they discover that with the right combination of passion, fearlessness and butter, anything is possible.
A Very Long Engagement
7.6/10
Young Frenchwoman Mathilde searches for the truth about her missing fiancé, lost during World War I, and learns many unexpected things along the way. The love of her life is gone. But she refuses to believe he's gone forever — and she needs to know for sure.
Fugitives
7/10
Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.
What the Day Owes the Night
7.8/10
Algeria, the 1930s. Younes is nine years old when he is put in his uncle's care in Oran. Rebaptized Jonas, he grows up among the Rio Salado youths, with whom he becomes friends. Emilie is one of the gang; everyone is in love with her. A great love story develops between Jonas and Emilie, which is soon unsettled by the conflicts troubling the country.
Joan the Maid II: The Prisons
7.4/10
The second film covers Joan's trial and the end of her life.
Mortal Transfer
6/10
Michel, a psycho-analyst, falls asleep while listening to his patient Olga, a kleptomaniac and a sexual pervert, tell him how she likes her husband beating her. When he wakes up, he finds Olga having been choked to death. He now has to deal with a body, with Olga's rich husband who thinks she stole money from him, and with all his patients' insanity that haunts him.
Papa
6.5/10
Louis and his Daddy are driving back home. Daddy is a past master at clowning, which does not necessarily make Louis laugh. At times Daddy gets awfully mad, picking on people who don't deserve it. That also does not make Louis laugh. But Daddy IS sweet. He knows how to soothe Louis when he is very very upset. And he can rock-a-bye his baby with a song by Niagara. Daddy has been rather slipshod lately. And ill-shaved. And has had hair-raising nightmares. Louis can burst into tears just because a little girl refuses a sticker he wants to give her. What's wrong with Louis and his Daddy? Written by Guy Bellinger
Two Snails Set Off
6.3/10
A forest full of animated animals encourage a pair of snails, who are fully clad in black because they are in mourning for a dead leaf, to celebrate the new spring and reclaim the colors of life. Based on the children's poem by Jacques Prévert entitled "Chanson des escargots qui font à l'enterrement" ("Song of the snails who are on their way to a funeral").
Joan the Maid I: The Battles
7.2/10
A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength.
Le fils préféré
6.9/10
Jean-Paul Mantegna, the son of Italian immigrants now living in Nice, is a hunted man, riddled with debt and involved in borderline illegal companies. To extricate himself, he has to rely on Philippe and François, his two brothers, and on Raphaël, his father; a family torn by disputes and tragic events. However, by rebuilding family unity, Jean-Paul also discovers the secret of his own destiny...
A Saturday on Earth
7.1/10
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
Nina's House
5.9/10
Starting in 1944 in the wake of the Liberation and continuing into the '60s, 'houses of hope' were established to lend a semblance of continuity to youngsters orpahaned by the war. Nina's Home takes place between September 1944 and January 1946 in an orphanage housed in a chateau outside Paris. At the outset, the country residence is run by Nina who has a core population of French Jewish children whose parents are probably dead. Food is scarce. News of the Concentration Camps hasn't hit yet, but some months later, a contingent of youths arrive form the liberated camps. The children are a disparate, wild, damaged group and conflicts ensue. Nina's challenge is to help them make their first delicate moves toward the future and in the process restore all of them, including herself, to life.
Murder In Aveyron
6.7/10
A man is murdered in Laguiole, Aveyron, Aubrac country. The young Elisabeth Richard, deputy prosecutor of Rodez, is handling the case. She has to deal with the hostility of a police officer, promoted on his own strength and not keen on the idea of being subjected to a young woman. Elisabeth especially has to unravel the tangles of ancestral antagonism and family secrets in order to unmask the culprit. The film is both a criminal investigation and a social painting.
La Loi De Mon Pays
7/10
