The best Jean-Louis Trintignant’s science fiction movies
Jean-Louis Trintignant (born 11 December 1930) is a French actor who has enjoyed an international acclaim. He won the Best Actor Award at the 1969 Cannes Film Festival.
Trintignant was born in Piolenc, Vaucluse, France, the son of Claire (née Tourtin) and Raoul Trintignant, an industrialist. At the age of twenty, Trintignant moved to Paris to study drama, and made his theatrical debut in 1951 going on to be seen as one of the most gifted French actors of the post-war era. After touring in the early 1950s in several theater productions, his first motion picture appearance came in 1955 and the following year he gained stardom with his performance opposite Brigitte Bardot in Roger Vadim's And God Created Woman.
Trintignant’s acting was interrupted for several years by mandatory military service. After serving in Algiers, he returned to Paris and resumed his work in film. He had the leading male role in the classic A Man and a Woman, which at the time was the most successful French film ever screened in the foreign market.
In Italy, he was always dubbed into Italian, and his work stretched into collaborations with renowned Italian directors, including Sergio Corbucci in The Great Silence, Valerio Zurlini in Violent Summer and The Desert of the Tartars, Ettore Scola in La terrazza, Bernardo Bertolucci in The Conformist, and Dino Risi in the cult film The Easy Life.
Throughout the 1970s, Trintignant starred in numerous films and in 1983 he made his first English language feature film, Under Fire. Following this, he starred in François Truffaut's final film, Confidentially Yours, and reprised his best-known role in the sequel A Man and a Woman: 20 Years Later.
In 1994, he starred in Krzysztof Kieślowski's last film, Three Colors: Red.
Though he takes an occasional film role, he has, as of late, been focusing essentially on his stage work.
After a 14-year gap, Trintignant came back on screen for Michael Haneke's film Amour. Haneke had sent Trintignant the script, which had been written specifically for him. Trintignant said that he chooses which films he works in on the basis of the director, and said of Haneke that "he has the most complete mastery of the cinematic discipline, from technical aspects like sound and photography to the way he handles actors".
The City of Lost Children
7.5/10
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
Bunker Palace Hotel
6.4/10
In an imaginary dictature of a futuristic world, rebellion has broken out. The men in power scramble to the Bunker Palace Hotel, a bunker built long ago for just this kind of contingency. But a rebel spy sneaks in, and although her nature is very quickly suspected, she is left to observe the raving of the decadent power class, who keeps wondering what happened to their leader, who has failed to show up.
Tykho Moon
6/10
The McBee family has erected a government over a future 'colony', that looks like a run-down Paris divided into sectors by the Berlin Wall. All male family members suffer from a mysterious disease and are in urgent need of organ transplants. The perfect donor, Tykho Moon, probably has been killed in a fire, but according to rumours he's still alive. Although assassins stalk the family members, the McBees start a hunt for Tykho. Trying to escape the dragnet, Alex, a sculptor, meets Lena, a killer posing as a whore.
Malevil
6.5/10
In southern France, in a quiet little town, the mayor, who also owns a castle with some cattle, is in the wine cellar with some other people: the pharmacist, the veterinary, and some of his employees. As they are drinking wine, they hear a terrible noise and the heat's getting higher and higher. They don't realize what's happening: when they come out of the cellar, they realize that everything has burned, and all the buildings are destroyed...
Long Live Life
6.1/10
The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.
