The best Jean-Louis Trintignant’s drama movies
Jean-Louis Trintignant (born 11 December 1930) is a French actor who has enjoyed an international acclaim. He won the Best Actor Award at the 1969 Cannes Film Festival.
Trintignant was born in Piolenc, Vaucluse, France, the son of Claire (née Tourtin) and Raoul Trintignant, an industrialist. At the age of twenty, Trintignant moved to Paris to study drama, and made his theatrical debut in 1951 going on to be seen as one of the most gifted French actors of the post-war era. After touring in the early 1950s in several theater productions, his first motion picture appearance came in 1955 and the following year he gained stardom with his performance opposite Brigitte Bardot in Roger Vadim's And God Created Woman.
Trintignant’s acting was interrupted for several years by mandatory military service. After serving in Algiers, he returned to Paris and resumed his work in film. He had the leading male role in the classic A Man and a Woman, which at the time was the most successful French film ever screened in the foreign market.
In Italy, he was always dubbed into Italian, and his work stretched into collaborations with renowned Italian directors, including Sergio Corbucci in The Great Silence, Valerio Zurlini in Violent Summer and The Desert of the Tartars, Ettore Scola in La terrazza, Bernardo Bertolucci in The Conformist, and Dino Risi in the cult film The Easy Life.
Throughout the 1970s, Trintignant starred in numerous films and in 1983 he made his first English language feature film, Under Fire. Following this, he starred in François Truffaut's final film, Confidentially Yours, and reprised his best-known role in the sequel A Man and a Woman: 20 Years Later.
In 1994, he starred in Krzysztof Kieślowski's last film, Three Colors: Red.
Though he takes an occasional film role, he has, as of late, been focusing essentially on his stage work.
After a 14-year gap, Trintignant came back on screen for Michael Haneke's film Amour. Haneke had sent Trintignant the script, which had been written specifically for him. Trintignant said that he chooses which films he works in on the basis of the director, and said of Haneke that "he has the most complete mastery of the cinematic discipline, from technical aspects like sound and photography to the way he handles actors".
Amour
7.9/10
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Three Colors: Red
8.1/10
Valentine, a student model in Geneva, struggles with a possessive boyfriend and a troubled family. When she runs over a dog, she discovers that its owner, a retired judge, is illegally wiretapping and eavesdropping on his neighbors' phone calls. Although Valentine is outraged, she develops a strange bond with the judge – and as the two become closer, she finds herself caught in the middle of events that could change her life.
The Conformist
7.9/10
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Z
8.2/10
Repression is the rule of the day in this film that skewers Greek governance of the 1960s. Z, a leftist rabble rouser, is killed in what appears to be a traffic accident. But given the political climate, the death of such a prominent activist raises troubling questions. Though it's too late to save Z's life, a postmortem examination suggests that the ruling party was behind his death. As the facts leak out, those who tell the truth pay the price for their honesty.
Is Paris Burning?
6.8/10
Near the end of World War II, Gen. Dietrich von Choltitz receives orders to burn down Paris if it becomes clear the Allies are going to invade, or if he cannot maintain control of the city. After much contemplation Choltitz decides to ignore his orders, enraging the Germans and giving hope to various resistance factions that the city will be liberated. Choltitz, along with Swedish diplomat Raoul Nordling, helps a resistance leader organize his forces.
The Lady Banker
6.2/10
The scene is the restless Paris of the interwar years where an attractive and ambitious woman successfully makes her way in a world previously reserved for men: that of high finance. Originating from a humble background, she quickly becomes popular with small savers by offering them outstanding interest rates. Extremely popular, she makes no secret of her taste for the good things in life and her homosexual affairs. They will cost her dearly...
Under Fire
7/10
Three U.S. journalists (Nick Nolte, Joanna Cassidy, Gene Hackman) get too close to one another and their work in 1979 Nicaragua.
A Man and a Woman
7.5/10
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
Happy End
6.6/10
A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.
My Night at Maud's
7.8/10
The rigid principles of a devout Catholic man are challenged during a one-night stay with Maud, a divorced woman with an outsize personality.
Il Sorpasso
8.2/10
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
The Terrace
7.1/10
Drama about the difficulties of a group of people trying to change their lives. A group of people gathers in a terrace in Rome . Some are friends, some know each other and others just meet for the first time. All are intellectual and belong to the middle class.
...And God Created Woman
6.3/10
Juliette Hardy is sexual dynamite, and has the men of a French coastal town panting. But Antoine, the only man who affects her likewise, wouldn't dream of settling down with a woman his friends consider the town tramp.
Flic Story
6.9/10
The film story depicts Emile Buisson, following the death of his wife and child, escaping from a psychiatric institution in 1947 and returning to Paris. Buisson, who three years later would become France's public enemy number one, begins a murderous rampage through the French capital.
Les Biches
6.9/10
Architect Paul Thomas insinuates himself into the relationship of two bisexual women living in a St. Tropez villa with tragic consequences.
The Last Train
6.9/10
Two people, a Frenchman Julien Maroyeur and a Jewish German woman (Anna Kupfer) met on a train while escaping the German army entering France.
A Man and a Woman: 20 Years Later
5.8/10
Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director who's most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
Le Grand Pardon
5.8/10
Le clan Bettoun : Raymond (le patriarche), Maurice (le fils), Jacky (le neveu), Roland (le neveu), Albert (le cousin de Raymond), Pépé (l'ami de Raymond), Samy (le garde du corps) sont un clan familial de caïds pieds-Noirs juifs du crime organisé français. Leurs activités sont la gestion de casinos, l'organisation de match de boxe clandestins, les jeux clandestins, le proxénétisme, le racket et les règlements de compte sanguinaires contre d'autres clans arabes et français.
Violent Summer
7.3/10
Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. Then, on the beach, he meets Roberta, a war widow with a child. Roberta's mother warns Roberta to avoid Carlo, but to her, he seems attentive and to her daughter he is kind. Romance develops. Within a few weeks, Roberta is risking everything. Can there be a resolution between passion, on the one hand, and war, duty, and social expectation on the other?
Mata Hari, agent H21
6.2/10
This French version of the notorious spy's life centers less on her romantic escapades, and more on those that reveal the person she actually was during WW I when her German superiors ordered her to seduce the French captain Trintignant so she can steal classified papers from him. Instead she falls in love with him, blows the cover, and ends up convicted of espionage and shot. (AllMovie)
