The best Jean-Baptiste Malartre’s movies
Today we present the best Jean-Baptiste Malartre’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jean-Baptiste Malartre’s movies.
Demonlover
5.9/10
A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.
Carlos
7.6/10
The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.
Summer Hours
7.1/10
Two brothers and a sister witness the disappearance of their childhood memories when they must relinquish the family belongings to ensure their deceased mother's succession.
Late August, Early September
6.8/10
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in harmony with ones ideals, committing to a lover, giving up a lover that no longer loves you: a film about grown-ups growing up.
Sentimental Destinies
6.6/10
In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife. He and his lover keep their love strong as the world changes around them.
Ouch
5.8/10
A chance meeting with Aie, a waitress with a strange name, will drive a 50 year old neurotic man, Robert, crazy.
Ça ne peut pas continuer comme ça!
6.2/10
With the President of the Republic very ill, an advisor offers an unusual suggestion: hire a double to replace him during his convalescence. The lucky chosen one is a member of the Comédie-Française but he is also shy, unexciting and often consigned to the supporting role...But a seismic change is about to happen in the Republic.
Après mûre réflexion
6.1/10
Mia Hansen-Løve's debut begins her career-long chronicle of a family. In this short film, a father breaks the news to his children that he and their mother are separating - the repercussions of which surface everywhere elsewhere in Hansen-Løve's filmography, in particular her most recent feature Things To Come (2016), for which she won the Silver Bear at the 2016 Berlinale
