The best Janusz Gajos’s drama movies

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikolah to smuggle him back to their homeland.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

A violinist in a provincial Polish orchestra, whose husband is the director of the ensemble, on a visit to the US ties up with the world- renowned symphony conductor. As it turns out he was once in love with violinist's mother. The conductor, a slightly unstable hypochondriac, returns to Poland to lead the provincial orchestra. He also tries to revive old love affair using the violinist as a surrogate of her mother. Her husband is resentful of the conductor for both personal and professional reasons.

In Stalinist Poland, cabaret singer Tonia decides to spend the evening drinking with a group of friends. The next morning, she awakes to find that, for reasons unknown to her, she has been jailed as a political prisoner. As prison officials interrogate, torture and humiliate her, she fights for survival and to maintain her innocence by refusing to sign a false confession. As her years of imprisonment pass, her relationship with her captors grows more complicated.

Based on true events. In 1980s Poland, Jerzy Górski is a young man who finds the determination to struggle against his drug addiction through athletic training, with the aim of competing in the US Ironman Triathlon.

A few years back tragic events tied the fate of three Catholic priests. From then on they meet on every anniversary of the disaster to celebrate their survival. On an everyday basis they have their ups and downs. Lisowski works at the curia in a big city, has a career and is dreaming of the Vatican. Problem is, archbishop Mordowicz, an opulent church official who uses his political influence to build the largest sanctuary in Poland, gets in his way. The second priest, Trybus, is a village parson. He ministers to a poor community and gives in to human weaknesses more and more often. Kukuła is not faring well either. Despite his fervent faith, he loses the trust of his parishioners actually overnight. Soon the stories of the three clergymen are going to join once again.

A busy attorney, worried that his anorexic daughter Olga might try to harm herself, since she's still grieving over her recently deceased mother, sends her to see a psychiatrist, Anna, who's dealing with her own loss in an unusual way.

A little known episode from the life of Stalinist security police office Julia Brystiger. Her nickname Bloody Luna was a reference to her incredibly brutal methods of interrogation. In the early 1960s, she appears in a centre for the blind on the outskirts of Warsaw, a place often visited by Cardinal Wyszyński, whose imprisonment in 1953-1956 Brystiger supervised personally. During a difficult and heated discussion with the cardinal, Brystiger denounces the communist ideology and begs for forgiveness for her crimes and for guidance in her search for God.

The film is set in the Tricity in 2003, ten years after the end of communism in Poland. The plot, apparently based on the real-life experiences of Kraków businessmen Lech Jerzorny and Paweł Rey, is about three young, talented businessmen who open a high-tech factory. This comes to the attention of the local state ‘mafia’, the local Prosecutor, played by Janusz Gajos, and tax office boss, played by Kasimierz Kaczor, who are both jealous and would like to make money for themselves. We are in Poland, so success must be punished.

A comical behind the scenes look at the Polish Football League where everybody involved including the clubs’ management, players, and referees are trying to get some.

The love between Mateusz Krol, a Kashubian boy, and Marita von Krauss, a Prussian aristocrat in whose family home he is taken in when his mother dies, grows and matures thorough the years, while Kashubia, the northern Polish region where they live, suffers the consequences of the tragedies that will ravage Europe from the beginning of the 20th century until the end of the World War II.

A young Russian aristocrat, Baron Fyodor Jeremin, volunteers to serve with a Dragon squadron to impress the girl who rejected his love. Just at this time the 1863 insurrection explodes in Poland. He enlists to serve in the army being sent to suppress the revolt. He believes that now it's enough to defeat the Poles, become an officer and hero, get a bunch of medals, and then return and lay all of this at the feet of her beloved. However, the "little Polish war" looks completely different to the way that young Jeremin imagined it to be. In course of time, he learns to be on the wrong side. But there is no escape - he must kill or he will be killed. What's more, he falls in love with a beautiful Polish girl...

In the mid-1960s, a respected surgeon dreams of leaving Poland to see his wife and daughter in England. To get the money for his escape, he needs to consider taking part in a bank robbery.

The film is set just before Poland's communist regime came to an end, and the central character is a provincial censor (Janusz Gajos), a tired, sloppy, lonely man, whose wife has long since left him. For him, censorship is both an art and a game, but he does not enjoy it. During a screening of a sentimental Polish melodrama called "Daybreak" at the Liberty cinema across the road from the censor's office, the actors start to rebel and refuse to speak their lines. There is anarchy and when the censor is unable to control the situation, senior party officials are called in. Eventually a film critic notes that the situation reminds of "The Purple Rose of Cairo" by Woody Allen and brings a reel of the film to demonstrate. The officials watch the film with amusement until another mix-up occurs: the second projector is turned on accidentally and superimposes "Daybreak" over "Purple Rose".