The best Jane Wyman’s music movies on Google Play Movies

Jane Wyman

Jane Wyman

05/01/1917- 10/09/2007
Today we present the best Jane Wyman’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Jane Wyman’s movies.

Hollywood Canteen

Hollywood Canteen
7/10
Two soldiers on leave spend three nights at a club offering free of charge food, dancing, and entertainment for servicemen on their way overseas. Club founders Bette Davis and John Garfield give talks on the history of the place.

Here Comes the Groom

Here Comes the Groom
6.3/10
Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.

Night and Day

Night and Day
6.1/10
  • Genre: DramaMusic
  • Release: 02/07/1946
  • Character: Gracie Harris
Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Cole lead to a meeting at the alter. More than 20 Porter songs grace this tail of triumph and tragedy, with Grand lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Wooley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Standards embraced by generations are yours to enjoy in "Night and Day."

Let's Do It Again

Let's Do It Again
5.7/10
  • Genre: ComedyMusic
  • Release: 16/06/1953
  • Character: Constance 'Connie' Stuart
Composer Gary Stuart (Ray Milland) and his wife, Connie (Jane Wyman), have an argument over her alleged affair with Courtney Craig (Tom Helmore). The Stuarts agree to get divorced, and each tries to move on to a new love: Gary with socialite Deborah Randolph (Karin Booth) and Connie with businessman Frank McGraw (Aldo Ray). However, they start to realize that they still have strong feelings for each other. The Stuarts must make a decision before their divorce is final.

Gold Diggers of 1937

Gold Diggers of 1937
6.4/10
The partners of stage-producer J. J. Hobart gamble away the money for his new show. They enlist a gold-digging chorus girl to help get it back by conning an insurance company. But they don’t count on the persistence of insurance man Rosmer Peck and his secretary Norma Perry.

The Kid from Spain

The Kid from Spain
6.5/10
  • Genre: ComedyMusic
  • Release: 17/11/1932
  • Character: Goldwyn Girl (uncredited)
Eddie and his Mexican friend Ricardo are expelled from college after Ricardo put Eddie in the girl's dormitory when he was drunk. Per chance Eddie gets mixed up in a bank robbery and is forced to drive the robbers to safety. To get rid of him they force him to leave the USA for Mexico, but a cop is following him. Eddie meets Ricardo there, Ricardo helps him avoid being arrested by the cop when he introduces Eddie as the great Spanish bullfighter Don Sebastian II. The problem is, the cop is still curious and has tickets for the bullfight. Eddie's situation becomes more critical, when he tries to help Ricardo to win the girl he loves, but she's engaged to a "real" Mexican, who is, unknown to her father, involved in illegal business. While trying to avoid all this trouble, Eddie himself falls in love with his friend's girl friend's sister Rosalie, who also want to see the great Don Sebastian II to kill the bull in the arena.

King of Burlesque

King of Burlesque
6.2/10
  • Genre: DramaMusic
  • Release: 03/01/1936
  • Character: Dancer (uncredited)
Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.

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