The best Jane Withers’s movies

At the urging of his gargoyle pals, Quasimodo leaves the solitary safety of his Notre Dame tower against the wishes of his guardian, the evil Judge Claude Frollo. He ventures out to the Festival of Fools and finds his first true friend, a Romani woman named Esmeralda, who entrusts him with a secret. When the secret is revealed, Quasi soon finds himself fighting to save the people and city he loves.

Giant is a movie of huge scale and grandeur in which three generations of land-rich Texans love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons.

Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.

In 1944, Capt. Josiah J. Newman is the doctor in charge of Ward 7, the neuropsychiatric ward, at an Army Air Corps hospital in Arizona. The hospital is under-resourced and Newman scrounges what he needs with the help of his inventive staff, especially Cpl. Jake Leibowitz. The military in general is only just coming to accept psychiatric disorders as legitimate and Newman generally has 6 weeks to cure them or send them on to another facility. There are many patients in the ward and his latest include Colonel Norville Bliss who has dissociated from his past; Capt. Paul Winston who is nearly catatonic after spending 13 months hiding in a cellar behind enemy lines; and 20 year-old Cpl. Jim Tompkins who is severely traumatized after his aircraft was shot down. Others come and go, including Italian prisoners of war, but Newman and team all realize that their success means the men will return to their units.

A struggling widow and her daughter take in a black housekeeper and her fair-skinned daughter. The two women start a successful business but face familial, identity, and racial issues along the way.

An orphaned girl is taken in by a snobbish family at the insistence of their rich, crotchety uncle, even as her devoted aviator godfather fights for custody.

A grown-up Jane Withers is joined by a whole slew of former child stars in the lightweight Republic musical Johnny Doughboy. Withers capably essays the part of a teenaged movie star who tires of the spotlight and runs away from Hollywood. Adopting an alias, she joins "The Junior Victory Caravan", a group of youthful USO performers. She also pursues a romance with much-older playwright Henry Wilcoxon, only to be (deliberately) disillusioned by the man. Among the juvenile favorites making cameo appearances in Johnny Doughboy are Bobby Breen, Baby Sandy, Butch & Buddy, Cora Sue Collins, Robert Coogan (Jackie's brother) and ex-"Little Rascals" George "Spanky" McFarland and Carl "Alfalfa" Switzer.

A teenager who's been raised and home-schooled at her father's Texas ranch must adjust to her new surroundings and being with other students when she's sent to a San Antonio high-school.

Ginger, an orphan, is living with her foster-uncle, Rexford Whittington, a broken-down Shakesperian actor. Although denied the love of a mother and father, Ginger looks after her uncle, gives him lectures, loves him, defends him and keeps house for him. But, through a meddling do-gooder, she is placed in the home of the Parkers, and clashes immediately with the pampered young son, Hamilton.

In 1930s Budapest, naïve orphan Luisa Ginglebuscher becomes an usherette at the local movie house, determined to succeed in her first job by doing good deeds for others and maintaining her purity. Luisa's well-meaning lies get her caught between a lecherous businessman, Konrad, and a decent but confused doctor, Max Sporum. When Luisa convinces Konrad that she's married to Max, Konrad tries everything he can to get rid of the baffled doctor.

A Ukrainian village must suddenly contend with the Nazi invasion of June 1941.

A movie company making a film about a famous sheriff hires his grandson as a stand-in for the lead.

Three American soldiers help a young girl deliver a secret message across enemy lines.

A Gypsy band takes lots of stuff but always in a good cause. Led by Jane Withers, they pick up a socialite (Hundson) who has amnesia. She works as a fortune teller and raises enough money for an operation to regain her memory.

Lively June (Jane Withers), teen-aged daughter of mystery writer Waldo Everett (Jon Qualen), who calls her "Angel," becomes involved in intrigue centering on movie star Pauline Kaye (Sally Blane) and her companion Stivers (Joan Davis). Reporter Nick Moore (Robert Kent), once sweet on Pauline, is convinced that her sudden disappearance is a publicity stunt, which is true -- until gangster Bat Regan (Harold Huber) decides to get involved.

A wealthy, eccentric collector of stuffed birds (Pinky Tomlin) and a beautiful Russian singer (Rita Hayworth) provide refuge to an orphaned Irish child (Jane Withers) who has arrived illegally in New York. Director Lewis Seiler's 1936 comedy, with numerous songs, also features Jane Darwell, George Givot, Robert Dudley, Vera Lewis, Louise Carter, Francis Ford, Russell Simpson and Clarence Wilson.

A woman doctor decides to have a baby without benefit of marriage.

Jane breaks into the film business while also reviving the flagging career of her film director uncle and getting him hooked up with his secretary.

A shy newspaperman nearly gives up when his girlfriend falls for the new guy in town till Withers sets things right.

Magazine owners (Jane Withers, Robert Lowery) sell a revealing photo, then play detective when the deal leads to murder.