The best Jane Frazee’s music movies

Olsen and Johnson, a pair of stage comedians, try to turn their play into a movie and bring together a young couple in love, while breaking the fourth wall every step of the way.

Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.

Song and comedy revue, featuring Western talents, along with a theatrical troupe taking their vacation on the Lazy B Ranch run by Steve Bradley. Steve is about to enter the army and he and Tex Coulter compete for the love of Connie Grey.

J. P. Courtney wants to update the music on the radio program he sponsors, but his wife, Agatha Courtney, is the final authority and addicted to the classics and won't allow him to replace Professor Bistell and his symphonic orchestra. Conspiring with his daughter Sue and her friends, Marvo the Great, the Andrews Sisters, Anne Payne and bandleader Woody Herman, they devise a sabotage plot that gets rid of Professor Bistell, and a new sound is soon heard on the program.

To avoid a costly breach of contract suit, a rich young man marries a nightclub singer.

A young girl goes to New York to find a band leader who has stolen all the songs she wrote and is passing them off as his own.

In this romantic wartime comedy, four female defense plant workers share a house with four male workers. The situation is on the up and up as the men and women work different shifts and they are only making due because there is a housing shortage. Unfortunately, they soon begin to fight about who gets the house during certain hours. Romance ensues.

Jane Frazee made her starring film debut in the Republic B-plus musical Melody and Moonlight. The plot is motivated by the show-biz aspirations of bellboy Danny O'Brien (Johnny Downs). With the help of a wealthy chiropodist (Jerry Colonna), O'Brien not only gets to star on a big-time radio show, but also sprinkles stardust upon his sweetheart Kay Barnett (Jane Frazee)-who, unbeknownst to everyone but the audience, is the daughter of the show's sponsor.

San Antonio Rose is an amiably wacky mini-musical evenly divided between its "official" stars, The Merry Macs, and a strong cast of supporting clowns. Robert Paige plays roadhouse operator Con Conway, whose establishment is in danger of being squeezed out by its competition. Stranded entertainers Hope Holloway (Jane Frazee) and Gabby Trent (Eve Arden) decide to revivify Conway's establishment by staging an energetic floor show built around the talented Merry Macs. A rival club owner dispatches his two top hooligans Jigsaw Kennedy (Lon Chaney Jr.) and Benny the Bounce (Shemp Howard) to wreck Conway's club by posing as waiters, but the two stupes are easily cowed into submission--by the leading ladies!

Orphan prodigy singer runs away from her oppressive aunt and tricks a rural couple into adopting her.

Theatrical agent Waldo Main is inducted into the army, and turns his now clientless agency over to his secretary Dottie Duncan. Dottie decides to organize an all-girl orchestra to fill the void caused by so many orchestra members being called to service due to WWII, and joins struggling singers/songwriters Sally Richards and Sue Ford in this endeavor. Dottie's screwball schemes to get engagements for the group often lead to disaster.

Charlotte Lord, a widow in her early forties and owner of Manhattan's smartest modiste shop, is about to marry Guy Barton, a wealthy businessman. But Mexican divorces have been declared illegal, so Guy is still married to Sybil Barton, an unscrupulous gold-digger who left him twelve years earlier. She demands that Guy give her $250,000 for his freedom.- Written by Les Adams

Allan Jones stars as hotshot baseball player Johnny Norton, in Havana for spring training. It turns out that Johnny has a beautiful singing voice, but only when he's suffering from a cold. Enterprising nightclub manager Barney Crane (William Frawley) attempts to inflict poor Johnny with cold germs, resulting in unchecked zaniness whenever our hero recovers sufficiently to lose his voice. The film's 63-minute running time manages to accommodate the drunken comedy relief of Hugh O'Connell and Jack Norton, and an abundance of musical numbers, courtesy of Allan Jones, Jane Frazee, the Horton Dancing Group, the Jivin' Jacks and Jills and Grace & Nicco.

Rhythm of the Islands is set in the South Seas, presumably far away from the shooting war. The nonsensical plotline finds hero Tommy (Allan Jones) posing as a native chief. Joan Holton (Jane Frazee), daughter of a millionaire (Ernest Truex), falls in love with Tommy, unaware that he's a charlatan.

When Roy and Trigger arrive at his ranch he finds Cookie has hired his relatives. Caroline, the only relative that doesn't have a strong resemblance to Cookie, is the horse trainer. Bob Tells Roy a gang of men are hunting range horses. Roy puts a stop to hunting on his land. Pop decides there's money in kidnapping Trigger and demands a $100,000 ransom. McFarland's stepson, Ted, and his dog Tramp, run away and is found hiding in Roy's barn. A trap is set to catch the kidnappers ranch.

By popular consensus, Allan Jones' best Universal mini-musical of the 1940s was the timely When Johnny Comes Marching Home. Jones is cast as war hero Johnny Kovacs, who wearies of the adulation heaped upon him and takes refuge under an assumed name in a theatrical boarding house. Here he befriends orchestra leader Phil Spitalny and his all-girl aggregation, including the inimitable Evelyn and Her Magic Violin. When Army officials trace Johnny to the boarding house, his new friends assume that he's a deserter and try to convince him to return to duty.