The best James Whitmore’s comedy movies

Set in 1951, a blacklisted Hollywood writer gets into a car accident, loses his memory and settles down in a small town where he is mistaken for a long-lost son.

Paul Douglas, stars with Janet Leigh, as the hot-tempered Pittsburgh Pirates manager whose hard-luck team goes on a wining streak thanks to some heavenly intervention.

A rock singer revives a failing TV ministry, but the cost may be high when she falls for a reporter planning an exposé.

Fred and Lilli are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.

In order to get back into the good graces with his wife with whom he has had a misunderstanding, a young chemistry professor concocts a wild story that he is an undercover FBI agent. To help him with his story he enlists the aid of a friend who is a TV writer. The wife swallows the story and the film's climax takes place in the sub-basements of the Empire State Building. The professor and his friend, believing themselves prisoners on an enemy submarine, patriotically try to scuttle the vessel and succeed only in rocking the building.

James Coburn is a con man and grifter who comes across a map that leads to a fortune in stolen US Army gold. Carroll O'Connor is the crooked sheriff who stays on Coburn's tail.

A famous opera singer (Mario Lanza) falls for his sergeant's (James Whitmore) sister (Doretta Morrow) at boot camp.

A woman in London unexpectedly inherits a Texas ranching fortune, and takes a transatlantic voyage to collect her fortune, not suspecting two men aboard both plan on winning her hand before she reaches America. One is a gambler interested in her money, and the other, a rich man looking for a wife. The rich man's friend, meanwhile, believes the heiress is actually a gold-digger.

Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas.

Harriet O'Malley tries to solve a murder aboard a train en route to New York.

Ambrose C. Park, left on a park bench as an infant with an impulsive need to find his parents, is an assistant to a diamond cutter. Shyster lawyer Remlick, in a strategy to get a fabulous uncut diamond through Ambrose, arranges for Emily Drummon, Duke Fargoh and Maggie Drummon to pose as Ambrose's long-lost parents and sister. The diamond, through many comic situations, is acquired and the gang is going to have Ambrose cut the diamond, and relieve him of the two stones and his parental illusions at the same time. But Maggie, who has no taste for the deception, tips Ambrose off and a wild chase ensues. At the end, Ambrose is very happy as he can now marry his "sister."