The best James Remar’s horror movies
James Remar (born December 31, 1953) is an American actor. He has appeared in movies, video games, and TV shows. He is perhaps best known as Richard, the on-off tycoon boyfriend of Kim Cattrall's character in Sex and the City, as Ajax in The Warriors, as the homicidal maniac Albert Ganz in the 1982 comedy/thriller 48 Hrs., Dutch Shultz in The Cotton Club, Lord Raiden in Mortal Kombat: Annihilation and more recently as Harry Morgan in Dexter.
From Wikipedia, the free encyclopedia
Blade: Trinity
5.8/10
For years, Blade has fought against the vampires in the cover of the night. But now, after falling into the crosshairs of the FBI, he is forced out into the daylight, where he is driven to join forces with a clan of human vampire hunters he never knew existed—The Nightstalkers. Together with Abigail and Hannibal, two deftly trained Nightstalkers, Blade follows a trail of blood to the ancient creature that is also hunting him—the original vampire, Dracula.
Cruising
6.5/10
A serial killer brutally slays and dismembers several gay men in New York's S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as a decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society.
The Unborn
4.7/10
A young woman fights the spirit that is slowly taking possession of her.
Psycho
4.6/10
A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own. Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, Gus Van Sant often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo.
What Lies Beneath
6.6/10
When Claire Spencer starts hearing ghostly voices and seeing spooky images, she wonders if an otherworldly spirit is trying to contact her. All the while, her husband tries to reassure her by telling her it's all in her head. But as Claire investigates, she discovers that the man she loves might know more than he's letting on.
Hellraiser: Inferno
5.4/10
A shady police detective becomes embroiled in a strange world of murder, sadism and madness after being assigned a murder investigation against a madman known only as "The Engineer".
Fear X
6/10
When his wife is killed in a seemingly random incident Harry, prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder.
The Blackcoat's Daughter
5.9/10
Two young students at a prestigious prep school for girls are assailed by an evil, invisible power when they are stranded at the school over winter break.
Tales from the Darkside: The Movie
6.2/10
The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a "cat from hell" who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the "in-between" bit is the story of a woman preparing to cook her newspaper boy for supper.
The Night Watchmen
5.4/10
Three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle to save their lives. A mistaken warehouse delivery unleashes a horde of hungry vampires, and these unlikely heroes must not only save themselves but also stop the scourge that threatens to take over the city of Baltimore.
Unnatural
3.9/10
Global climate change prompts a scientific corporation to genetically modify Alaskan polar bears with horrific and deadly results.
The Surgeon
4.8/10
Dr. Julian Mater is suspended and gets his license revoked for performing experiments on dying patients in cellular regeneration. A couple of years later, he returns to the hospital that condemned his work to begin practicing his grizzly experiments once more.
Psychos
Steven Soderbergh's feature-length mashup of Alfred Hitchcock’s original 1960 Psycho and Gus Van Sant‘s controversial shot-for-shot 1998 remake.
