The best James Neill’s movies

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

When Ellen Linden comes back home from finishing school, she finds out that her wealthy father has lost all his money. She must get a job to help support the family, and goes to work as a secretary in the brokerage firm of Phillips and Rand. Both partners find themselves attracted to her, but each has a different approach: Phillipls takes the rough, aggressive route and Rand does the opposite, complimenting and flattering her at every opportunity. However, she falls in love with Tom Galloway, a young inventor who has come up with a new type of soft drink, "Here's How". in which Ellen attempts to interest the brokers. Phillips, however, doesn't take rejection lightly and schemes to break up Ellen and Galloway using his unwitting partner.

A WWI English officer is inspired the night before a dangerous mission by a vision of Joan of Arc, whose story he relives.

A young American has her ship torpedoed by a German U-boat but makes it back to her ancestral home in France, where she witnesses German brutality firsthand.

Though betrothed to fellow socialite Richard, Iris weds her chauffeur Tom leaving Richard to marry the family laundress' daughter Shamrock. Class differences lead to divorces and remarriages.

Leila porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.

A young girl living a secluded and unsophisticated life is suddenly thrust into a great wealth and a frightening social whirl.

Joy reigns in a colony of struggling artists because Old Felix, a composer, has at last sold one of his symphonies. The night of its initial hearing at the grand opera house the members of the colony turn out en masse. Too poor for orchestra seats, they gather in the gallery around the old composer. The old composer is happy almost to tears, and when the last note has died away there is a cry for the composer. Felix attempts to utter a few words of thanks, but is smothered with flowers. At his studio his friends have prepared for his welcome, and it is upon his arrival there that be feels the happiness which comes of success. However, at the other end of the hall another different drama is being enacted. A girl sits beside her stricken mother, and as the merriment in the studio reaches its height, the soul of the mother departs from the body.

Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.