The best James Madio’s crime movies

James Madio

James Madio

22/11/1975 (48 años)
If you love cinema, you will share this ranking of the best James Madio’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about James Madio.
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The Basketball Diaries

The Basketball Diaries
7.3/10
  • Genre: CrimeDrama
  • Release: 21/04/1995
  • Character: Pedro
A high school basketball player’s life turns upside down after free-falling into the harrowing world of drug addiction.

Love Lies Bleeding

Love Lies Bleeding
5.6/10
A struggling young couple stumbles upon a cache of dirty money after a shootout in their apartment building.

The Box

The Box
4.6/10
A disgraced former LAPD detective leads a home invasion in search of millions in stolen money. The plan goes awry and homicide detectives seeking answers interrogate the only survivors; a thief and a victim.

Bottom of the 9th

Bottom of the 9th
5.7/10
  • Genre: CrimeDrama
  • Release: 19/07/2019
  • Character: Joey Cosenza
Bobby Stano had everything going for him. Fresh out of high school, he was signed to the majors, had a beautiful girlfriend, everything was looking up. That is, until he and his friends get into a fight with a neighboring gang. The confrontation results in an accidental fatality and quickly changes Bobby's life forever. He's found guilty of murder and locked in prison for the next thirteen years. When Bobby is released, he's faced with a vilified reputation, a relationship to rekindle and a new life to find.

No God, No Master

No God, No Master
5.9/10
A plot to overthrow the United States government is uncovered in New York City in the summer of 1919 when William Flynn, a field agent for the Bureau of Investigation, is sent to investigate a bomb threat that has targeted some of America's most powerful politicians and leaders of commerce, New York millionaire John D. Rockefeller, Sr. among them. Flynn's investigation takes him on a journey into the underworld of homegrown terrorism and introduces him to a competitive culture of violence and murder. Greed, power, and politics are at the center of the story and Flynn must distinguish the villains from the merely discontented. Along the way, he discovers that terrorism has many faces and that a determination of guilt or innocence often lies in the psychology of fear that constricts individuals at every level of society. Sedona International Film Festival.

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