The best James Finlayson’s music movies

Tom and Ellen are asked to perform as a dance team in England at the time of Princess Elizabeth's wedding. As brother and sister, each develops a British love interest, Ellen with Lord John Brindale and Tom with dancer Anne Ashmond.

A Cinderella story of a young country girl who comes to Hollywood and achieves movie stardom with the help of a publicity man.

Two wannabe bandits join the service of a dashing nobleman, who secretly masquerades as Fra Diavolo, a notorious outlaw.

Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her sister Martha comes for a visit, Abigail tries to hide the truth from her.