The best Jacqueline Bisset’s history movies

The film is notable for presenting a more human Jesus, compared to more solemn portrayals in earlier films; here Jesus laughs and cries like anyone else. Among other things, he weeps at Joseph’s funeral, throws stones in Lake Galilee when meeting Simon Peter and James son of Zebedee for the first time, dances at the wedding at Cana, and starts a water-splashing fight with his disciples as well. Satan is portrayed as a man in modern dress (and as a woman in red). During his temptation of Jesus, he shows him the Earth from the vantage point of space. Satan also shows Jesus images of wars and destruction carried out in his name. The film adds an apocryphal Roman historian named “Livio” who watches and comments as events unfold; he is presumably named after Livy.

An idealistic young employee at the U.N. investigates the grizzly murder of his predecessor – and uncovers a vast global conspiracy that may involve his own boss.

It was the sister ship of the infamous Titanic... and its final destiny was the same. Experience the true untold story of Britannic, a tumultuous, epic voyage of human passion, courage and betrayal aboard an ill-fated ocean liner bound for a shattering demise. With the world at war, an undercover British agent (Amanda Ryan), embarks the Britannic in search of a German spy believed to be on board to sabotage the ship. Posing as a governess, the undercover agent finds herself falling in love with the ship's chaplain (Edward Atterton). In a stunning discovery, the lovers suddenly find themselves enemies of war. And when a massive explosion deals a deathblow to the ship, their battle becomes one for their own survival. With a dynamic, international cast and a story line that hosts a chilling tale of espionage, politics and romance, Britannic brings one of history's most devastating events to riveting, new life.

A noisy and absurd re-telling of the great 1950 invasion of Inchon during the Korean War which was masterminded by General Douglas MacArthur.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.