The best Ivar Brogger’s comedy movies
If you love cinema, you will share this ranking of the best Ivar Brogger’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ivar Brogger.
Little Children
7.5/10
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Picture Perfect
5.5/10
A young advertising executive's life becomes increasingly complicated when, in order to impress her boss, she pretends to be engaged to a man she has just met.
Fun with Dick and Jane
6.2/10
After Dick Harper loses his job at Globodyne in an Enron-esque collapse, he and his wife, Jane, turn to crime in order to handle the massive debt they now face. Two intelligent people, Dick and Jane actually get pretty good at robbing people and even enjoy it -- but they have second thoughts when they're reminded that crime can hurt innocent people. When the couple hears that Globodyne boss Jack McCallister actually swindled the company, they plot revenge.
Rules Don't Apply
5.7/10
It's Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes' number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes' behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
Possessions
5.3/10
Orlando is dying. Resigned to his fate, all he wants is to be left alone with his alcohol, drugs, and hermit crab. But his hopes of solitude are shattered when he is woken by Jean-Luc, an incessantly chatty Frenchman who happens to be a voice in his head. Now, in addition to cancer, Orlando must deal with Jean-Luc's never-ending questions and commentary, as well as the discovery that Jean-Luc is slowly taking over every sense of his body (sight, hearing, taste, smell, touch).
