The best Ivana Miličević’s comedy movies

'Love Actually' follows the lives of eight very different couples dealing with their love lives, in various loosely and interrelated tales, all set during a frantic month before Christmas in London, England.

Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.

Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Martinson, who asserts that the apartment is hers -- and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.

Ally Darling is realizing she's a little lost in life. Her latest romance has just fizzled out, and she's just been fired from her marketing job. Then she reads an eye-opening magazine article that warns that 96 percent of women who've been with 20 or more lovers are unlikely to find a husband. Determined to turn her life around and prove the article wrong, Ally embarks on a mission to find the perfect mate from among her numerous ex-boyfriends.

A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.

Irresponsible party girl, Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer, Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

The rivalry between two former college friends comes to a head when they both attend the same glamorous event.

Ordinary single girl Amanda Pierce unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston. That is, until one night...

A movie about a relationship...that's worse than yours. Seth (Stewart), a sitcom writer-producer, meets Chelsea (Wilson), an interior decorator, at his best friend's (Bellamy) wedding. He's immediately sexually attracted to her while she's instantly attracted to his single-ness. They both ditch their wedding dates and start their own date that same night. The two become a couple, appearing very happy until after a couple of years of postponing a marriage proposal. When Chelsea realizes that Seth wants to remain single and together, she becomes quite bitter. In the next hour of the movie, the two engage in behavior that makes the War of the Roses look like child's play.

Coming & Going is an irreverent romantic comedy that poses the question: How far would you go to capture the heart of the one you love? Lee (Rhys Darby) is a young, skilled OBGYN who lacks confidence when it comes to talking to women outside his successful medical practice. A minor injury temporarily lands him in a wheelchair and it is at that precise time that he meets his dream girl Alex (Sasha Alexander). Convinced she's only paid attention to him because he's in that chair, he stays in it to win her affections well after his injury has healed. Coming & Going is about love and the extreme things people do for it.

The story centers on a small-town sheriff who witnesses what he believes is a kidnapping and rushes to rescue a woman. The kidnappers turn out to be FBI agents assigned to protect her and deliver her to a big Enron-type corruption trial in Chicago but are later found to be on the take and are villains who are bent on killing her

A thief on the run convinces a single father that he is his long-lost son. Complications ensue when he falls in love with his newfound "sister".

Beatle is a quirky loner who refuses to live by society's rules. Her business cards read "Towing/Assassination," and she even has a hit man infomercial to go along with it. Her only human contact is with her psychiatrist and the stripper/hooker she employs once a week. Everything changes the night she meets Athena Klendon, a suicidal blonde with a secret. With a demented killer on their tail, courtesy of Athena's crooked former employer, the two quickly strike a bargain. Athena will change her life insurance policy to reflect Beatle as the beneficiary in exchange for her own execution. And while they wait for the paperwork to come through, Beatle will provide room and board and get some extra help on her infomercial. The two have no idea that Detective Holt has been on their case reviewing their every move. Just when he thinks he's got Beatle pinned beyond a shadow of a doubt, this comedic mystery takes a wild and unexpected turn.

Jeana does IT for the Sacramento Fire Department. She and Tom, a self-confident local TV news reporter, are about to go on a cruise to Rio when he lets slip on TV that she is a virgin. It's a slow news week, so this becomes a story: the media pursue Jeana, she breaks up with Tom and wants the tickets or her cruise money back, and Tom can't believe she's serious. Her path crosses that of Paul, a photographer recently arrived from Texas who's also Tom's cameraman; he's had six serious relationships that have ended with his heart broken. A triangle of sorts develops. Will Jeana end up with either man? Will she end up on the cruise? And what about that minor thing?

In a single, fully-stocked hotel room on the night of the 2016 general election, two Trump supporters celebrate the unexpected results. As the night rages on, an ensemble of characters venture in and out of the room. Some match the two’s enthusiasm while others voice their terror at the prospect of the incoming president, but most struggle to find reasons to care less about the results that caused the debauched celebration occurring around them.