The best Issei Futamata’s science fiction movies

As the perpetually lecherous Ataru and his friends prepare for a carnival at Tomobiki High School, they gradually realize the days are literally repeating themselves. Any effort to break the pattern dumps them back where they started.

The story of The Empire of Corpses takes place in 19th century Europe, and revolves around John Watson. He is scouted by the government to become a secret agent- However, Watson lives in a world where "Frankensteins"- human corpses that are re-purposed with a false soul in order to use them as laborers- are used to improve industrial development.

A mysterious suicide and a series of unmanned robot run-aways sparks off a Police investigation into the suspicious software on-board thousands of industrial robots around Tokyo.

The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.

Set in the year 2000 (between the events of Patlabor and Patlabor 2), when the level of Labor accidents begin to escalate around Tokyo Bay, police detectives Kusumi and Hata are assigned to investigate. What they discover leads to a series of government cover-ups, conspiracy concerning a new biological weapon entitled WXIII-Wasted Thirteen and a tragic, personal connection to Hata. The only hope to stop this threat is to cooperate with the military and lead WXIII into a showdown with the Labors of Special Vehicle Division 2.

A Japanese police unit who use giant anthropomorphic robots (called Labors) is caught up in a political struggle between the civilian authorities and the military when a terrorist act is blamed on an Air Force jet. With the aid of a government agent, the team gets close to a terrorist leader to stop things from going out of control when after the military is impelled to impose martial law.

The basic plot is centered on the great cherry tree Tarōzakura and what happens after it is cut down during the making of a movie, Lum loses her horns-and her powers! Thus begins the strangest and most lyrical of the Urusei Yatsura movies. The fourth film is the subject of much debate, as it is probably the hardest of all the Urusei Yatsura films to fully understand. Many consider it to be a multi-layered masterpiece, while others feel it is little more than a confused and rambling mess.

An exciting cyberpunk romp directed by Rintaro with veteran animator Kanada Yoshinori about a genius hacker and a gang of hot-rodders.

This film is the first on a 3-part theatrical film remake of the first 2 seasons of the parent anime.

In a post-apocalyptic future, a group of soldiers is sent to a ghost city to destroy an automated sentry.

For the past 150 years, humanity’s two greatest nations have been deadlocked in a meaningless war. In what is hoped to be a miraculous victory, the Alliance embarks on a battle to break through the Empire’s frontline. Like many other “decisive” battles, this can only end in disaster; a sentiment shared by Imperial nobleman Reinhard von Lohengramm and Alliance Commodore Yang Wen Li, both of whom realize how to turn the fight in their favor. And while the tides of war may never change, these two men must rise to the occasion, solidifying their place in history as heroes.

Reinhard von Müsel and Yang Wen-li return to their respective homes, one victorious and the other defeated. While Reinhard earns the new name Lohengramm, while Yang and his friends celebrate some welcome news.

What comes around goes around...even from beyond the grave. Most criminals are only concerned with earthly justice - the laws of man. All too often, the guilty go free, their deeds unpunished. But there is another law. Deep within the spirit world, the wrongful dead seek retribution for the crimes against them by the living. These restless spirits have their own code of justice, and they've chosen the Judge of Darkness and his Demons of Hell to enforce them. An appeal for justice leads to an investigation of a successful, high-ranking corporate executive. Who would believe he'd be involved with embezzlement and murder? But the Judge of Darkness soon discovers that the roots of corruption run deep as he slowly works his way up the corporate pyramid.

Sho and his friend Tetsurou stumble upon an odd alien artifact while walking through the woods. Then, the alien artifact breaks free of its metallic bonds and enters Sho's body, turning him into the Guyver. With this new power, Sho must do battle with the evil Chronos corporation and their genetically enhanced Zoanoids, who seek to get the Guyver back into their labs. No one close to Sho is safe from Chronos. He must fight.

The Dezalg have returned with a new, horrible weapon and unleashed it on Megazone 23's defenses. Believing their salvation is also in new weapons, B.D. is again bent on breaking the EVE's final protection level.Full control of Megazone 23 would mean unfettered weapons development. Shogo, meanwhile, has tried to return to a 'normal' life; Hanging out with his biker gang, "Trash" and his girlfriend, Yui. But, his convictions about the Megazone's shadow government policies haven't changed and when EVE calls for his help, he discovers where the Garland bike has been hidden. It's showdown time for Shogo and B.D., Trash and the military, as well as the Dezalg and Megazone. However, EVE's final secret, A.D.A.M., may mean no one will survive.

In a dystopic and futuristic Tokyo, humanity’s genetic code has gone awry. At the forefront of the technology is Fraud, an organization conducting experiments on people such as Kei and Ai – two escaped “headmeters” with hefty psychokinetic powers. The sinister Mr. Lee wants nothing more to retrieve Ai back to his clutches, as she seemingly holds the key to immense power; Kei wants simply to keep Ai safe; and the evil Lai Lo Ching has his own master plan. Along with the help of the amnesiac headmeter K2 and a trusty sidekick, Kei must fight to protect Ai from the evils of Mr. Lee, Lai Lo Ching, and the state of the world itself!

Enter the tale of the Crusher Council, a group of rugged individuals known for assignments ranging from transportation to terraforming and everything in between. In the early days of space exploration the Crushers took on the job of destroying asteroids and defining space lanes. Because of their work, they were nicknamed "Crushers" which eventually became their business moniker. Despite the rough and ready nature of the Crushers' work, they subscribe to a few steadfast rules. Unethical and illegal assignments are taboo, and any Crusher accepting one is barred from the Union. Of course, this presents problems for shady clients who try to trick the Crushers into accepting misleading assignments. They know that once the Union accepts a case the Crushers are honor-bound to follow it through. Among the various worlds, the Crusher Council has a stunning reputation, and among the Crushers, the most elite team is the one led by Crusher Dan and his successor, Crusher Joe.

Due to a spacecraft malfunction, saleryman Ryu and his robot companion "MOS-01" crash land on the space ship/planet Gdleen. Ryu meets a cute Euredonian fairy called Fana and the two are soon entangled in a long standing war between the monsterous Babaress and the spell casting Miyorl tribes.