The best Issei Futamata’s comedy movies

As the perpetually lecherous Ataru and his friends prepare for a carnival at Tomobiki High School, they gradually realize the days are literally repeating themselves. Any effort to break the pattern dumps them back where they started.

The third film finds Ataru transformed into a pink hippopotamus, which sends Lum chasing after the wicked magician responsible, with catastrophic results. With Lum gone, her friends decide that there is no reason to remain, and so Tomobiki slowly returns to normal. The highlight of the film is a high speed chase scene with an angry Lum flying after the mysterious Ruu through the city at night and into a hall of mirrors (and illusion ). Ataru's true feelings for Lum are probably more obvious in this film than any of the others.

The basic plot is centered on the great cherry tree Tarōzakura and what happens after it is cut down during the making of a movie, Lum loses her horns-and her powers! Thus begins the strangest and most lyrical of the Urusei Yatsura movies. The fourth film is the subject of much debate, as it is probably the hardest of all the Urusei Yatsura films to fully understand. Many consider it to be a multi-layered masterpiece, while others feel it is little more than a confused and rambling mess.

An exciting cyberpunk romp directed by Rintaro with veteran animator Kanada Yoshinori about a genius hacker and a gang of hot-rodders.

The fifth film is an animated adaptation of the final story of the manga and is also the official ending of the anime series, in which Lum and Ataru must repeat the game of tag played out in the first episode of the television series, or the Earth will be infested with mushrooms larger than buildings. Further, should Ataru lose, Lum will leave forever and everyone's memories will be changed so that they don't remember she, or her friends, were ever there. Finally, Lum refuses to allow Ataru to win unless he says to her those three words "I love you," that he has steadfastly refused to say over the entire series.

Lupika, an alien princess, is in love with a tofu seller. To make him love her too (at least, announce his love. He obviously fears the social taboo of a tofu vendor marrying a princess), she needs to get a love potion, which is in a certain temple. Legend has it that the only person that can obtain this love potion is the most lecherous man in the universe. That man turns out to be Ataru Moroboshi. Lupika kidnaps Ataru to make him get the potion, and Lum and her friends go out to search for Ataru.

Yagami comes to Maison Ikkoku, not knowing of Godai's and Kyoko's wedding, stating that she is now an adult, which she is, not knowing how to tell her, they panic, but she finds out in the end, and is heart broken.

Due to a spacecraft malfunction, saleryman Ryu and his robot companion "MOS-01" crash land on the space ship/planet Gdleen. Ryu meets a cute Euredonian fairy called Fana and the two are soon entangled in a long standing war between the monsterous Babaress and the spell casting Miyorl tribes.

Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.