The best Isabelle Sadoyan’s drama movies
We present our ranking of the best Isabelle Sadoyan’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Isabelle Sadoyan.
That Obscure Object of Desire
7.8/10
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
Mr. Klein
7.5/10
Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.
The Return of Martin Guerre
7.4/10
Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.
Thérèse
6.1/10
The unhappily married woman struggles to break free from social pressures and her boring suburban setting.
The Children of the Marshland
7.4/10
The film is set in Marais, a quiet region along the banks of Loire river in 1918. Riton is afflicted with a bad-tempered wife and three unruly children. Garris lives alone with his recollections of World War I trenches. Their daily life consists of seasonal work and visits from their two pals: Tane, the local train conductor and Amédée, a dreamer and voracious reader of classics.
The Things of Life
7.4/10
The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…
The Eighth Day
7.5/10
Georges has Down syndrome, living at a mental-institution, Harry is a busy businessman, giving lectures for young aspiring salesmen. He is successful in his business life, but his social life is a disaster since his wife left him and took their two children with her. This weekend his children came by train to meet him, but Harry, working as always, forgot to pick them up. Neither his wife or his children want to see him again and he is driving around on the country roads, anguished and angry. He almost runs over Georges, on the run from the institution since everybody else went home with their parents except him, whose mother is dead. Harry tries to get rid of Georges but he won't leave his new friend. Eventually a special friendship forms between the two of them, a friendship which makes Harry a different person.
The Passerby
6.6/10
During an interview, Max Baumstein (Piccoli), respected chairman of a humanitarian organisation, shoots the Paraguayan ambassador dead, in cold blood. Tried for first-degree murder, he explains himself: the ambassador was a former Nazi official, responsible for the extermination of his family.
Summer Hours
7.1/10
Two brothers and a sister witness the disappearance of their childhood memories when they must relinquish the family belongings to ensure their deceased mother's succession.
The Country Doctor
6.5/10
All the people in this countryside area, can count on Jean-Pierre, the doctor who auscultates them, heals and reassures them day and night, 7 days a week. Now Jean-Pierre is sick, so he sees Natalie, a young doctor, coming from the hospital to assist him. But will she adapt to this new life and be able to replace the man that believed to be irreplaceable?
The Lady Banker
6.2/10
The scene is the restless Paris of the interwar years where an attractive and ambitious woman successfully makes her way in a world previously reserved for men: that of high finance. Originating from a humble background, she quickly becomes popular with small savers by offering them outstanding interest rates. Extremely popular, she makes no secret of her taste for the good things in life and her homosexual affairs. They will cost her dearly...
Mother
7.4/10
Henri Verneuil was born Achod Malakian of Armenian parentage on October 15, 1920, in Rodosto, Turkey, and his family fled to France and settled in Marseilles when he was a young child. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into this 1991 film with the same name.
Going and Coming Back
6.3/10
Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...
The Adolescent
6.3/10
The summer of 1939. Marie, at 13, goes with her parents to visit her grandmother in a small town near Avignon. Although rumors of war reach the countryside, it's an idyllic place. Marie's parents are constantly making love. Surrounded by sexual frankness, Marie fancies herself a woman and develops a crush on Alexander, the town's young Jewish doctor. She's despondent when he treats her as if she were a child. After Marie's father abruptly leaves for a few weeks to assist with a relative's harvest, Marie's mother and the doctor disappear into the woods for hours at a time. Marie tries to spy on them. When dad returns, what will the family and the doctor do?
The War Is Over
6.8/10
The film is set in France in August 1944 at the end of the war. German troops are in retreat as the allies are coming in. Two French boys run from home and on their journey they stumble upon a German soldier. Soon they become friends and together they head towards Lyon...
Keep Your Right Up
6/10
This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.
Young Girls in Black
6.2/10
Noémie and Priscilla, two teenagers from a modest background, nurture the same violence, the same revolt. They seriously worry their families, who feel that these girls are capable of anything...
Flagrant Désir
5/10
In the Médoc, a young woman is found drowned. An accident, her influential family of winegrowers maintains. Or rather murder, as the American inspector Morrison suspects. If so, why? What secrets this family keeps?
The Little Boy
6.4/10
An eight-year old boy learns about love and betrayal in this French drama set in rural France during WW II. The boy, Francois, has moved from Paris to a quiet chateau with his parents who want to escape the stress of the war. In a nearby town, his father's mistress works as a tutor. Soon his father allows a refugee family of Polish Jews to move into the basement. They have a young daughter, and Francois has a terrible crush upon her and refuses to stay safely away from her. Real trouble begins when a Nazi commander and his unit also move into the house, totally unaware of the refugees living below them.
Kiss Me
6.6/10
The first film shot by legendary cinematographer Darius Khondji and anchored by a heartbreaking performance by Sophie Rochut, EMBRASSE-MOI is a slice-of-life drama about Louise, an 12-year-old girl left to her own devices over the summer following her parents’ divorce. Her mother is a renowned concert pianist, anxious to begin a second life free of entanglements. Her father is a workaholic industrialist, distracted to the point of denial about the collapse of his marriage. Rosier’s command of her cast is impossible to deny, as is the brave unsentimentality of EMBRASSE-MOI’s approach: Louise clocks her mother’s newer, younger lover in one brazen panning shot across his naked body. While Rosier denied any autobiographical interpretations of EMBRASSE-MOI, it’s hard not to read at least a kinship between Louie’s solitude and the filmmaker’s own relationship with her famous mother Hélène Gordon-Lazareff (founder of Elle) and stepfather Pierre Lazareff, who adopted Michèle as his own.
