The best Ingrid Bergman’s thriller movies
Ingrid Bergman (29 August 1915 – 29 August 1982) was a Swedish actress who starred in a variety of European and American films. She won three Academy Awards, two Emmy Awards, and the Tony Award for Best Actress. She is ranked as the fourth greatest female star of American cinema of all time by the American Film Institute. She is best remembered for her roles as Ilsa Lund in Casablanca (1942), a World War II drama co-starring Humphrey Bogart and as Alicia Huberman in Notorious (1946), an Alfred Hitchcock thriller co-starring Cary Grant.
Before becoming a star in American films, she had already been a leading actress in Swedish films. Her first introduction to American audiences came with her starring role in the English remake of Intermezzo in 1939. In America, she brought to the screen a "Nordic freshness and vitality", along with extreme beauty and intelligence, and according to the St. James Encyclopedia of Popular Culture, she quickly became "the ideal of American womanhood" and one of Hollywood's greatest leading actresses. Her producer David O. Selznick, who called her "the most completely conscientious actress" he had ever worked with, gave her a seven-year acting contract, thereby assuring her continual stardom.
A few of her other starring roles, besides Casablanca, included For Whom the Bell Tolls (1943), Gaslight (1944), The Bells of St. Mary's (1945), Alfred Hitchcock's Spellbound (1945), Notorious (1946), and Under Capricorn (1949), and the independent production, Joan of Arc (1948). In 1950, after a decade of stardom in American films, she starred in the Italian film Stromboli, which led to a love affair with director Roberto Rossellini while they were both already married. The affair created a scandal that forced her to return to Europe until 1956, when she made a successful Hollywood comeback in Anastasia, for which she won her second Academy Award, as well as the forgiveness of her fans. Many of her personal and film documents can be seen in the Wesleyan University Cinema Archives.
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Notorious
7.9/10
In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
Murder on the Orient Express
7.2/10
In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.
Spellbound
7.5/10
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Gaslight
7.8/10
A newlywed fears she's going mad when strange things start happening at the family mansion.
For Whom the Bell Tolls
6.8/10
Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress
Fear
6.7/10
Irene Wagner, the wife of the prominent German scientist Professor Albert Wagner, had been having an affair with Erich Baumann. She does not disclose this to her husband, hoping to preserve his innocence and their "perfect marriage". This fills her with anxiety and guilt. However, Johann Schultze, Erich's jealous ex-girlfriend, learns about the affair and begins to blackmail Irene, turning Irene's psychological torture into a harsh reality. When Irene finds out that the extortion plot is truly an experiment in fear, she is driven into a homicidal/suicidal rage.
A Woman's Face
7/10
A cynical woman with a disfigured face—a hardened criminal—gets an opportunity to change her ways when she meets a sympathetic plastic surgeon. She leaves her old life behind, but soon her old friends catch up with her.
