The best Inga Gill’s drama movies

When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

As Agnes slowly dies of cancer, her sisters are so deeply immersed in their own psychic pains that they can't offer her the support she needs. Maria is wracked with guilt at her husband's attempted suicide, caused by his discovery of her extramarital affair. The self-loathing, suicidal Karin seems to regard her sister with revulsion. Only Anna, the deeply religious maid who lost her young child, seems able to offer Agnes solace and empathy.

Set in a hospital where three women meet either because they have been through an abortion or are due to give birth.

The devil has a stye in his eye, caused by the purity of a vicar's daughter. To get rid of it, he sends Don Juan up from hell to seduce the 20 year old Britt-Marie and to rob her of her virginity and her belief in love. She however can resist him and things get even turned around when Don Juan falls in love with her. The fact that he feels love for the first time now, makes him even less attractive to her and Don Juan returns to hell.

Based on the play by August Strindberg, Miss Julie vividly depicts the battle of the sexes and classes that ensues when Julie, a wealthy businessman's daughter, falls for Jean, her father's bitter servant.

Susanne is a woman in her mid-30s and the owner of a modeling agency in Stockholm. She accompanies her prize model, Doris, on a trip to Gothenburg so that Doris can be photographed. While traveling, both women seek out romance, Susanne with a married lover and Doris with an older gentleman who sees his deceased wife in the young model. The two women struggle to understand their romantic motivations and in the process form an unlikely friendship.

A group of women are workmates at a laundry. Rike is spreading a rumour about Marta who is in charge, a rumour that Marta is a lesbian and that she once tried to seduce Rike.

This well-executed biographical docudrama is a plunge into the madness (and the sanity) of a writer living life on its rawest edges. Agnes Von Krusenstjarna (Stina Ekbland) was a Swedish novelist (1894-1940) whose works ranged from the idyllically romantic to crushingly sardonic, sexually explicit autobiography. Von Krusenstjarna teamed up with the eccentric bisexual David Sprengel (Erland Josephson) and continued to suffer bouts of mental instability that Sprengel felt were best cured by sexual abandon. Von Krusenstjarna was not a model of emotional health when she first met Sprengel. She had inherited madness from her family while at the same time passionately rebelled against the narrow-minded mores of her genteel but poor parents. With his own wildly unorthodox behavior, Sprengel both helped and hindered Von Krusenstjarna throughout their turbulent relationship.

Three young poets are about to make their debuts.