The best Indrans’s drama movies on Google Play Movies
Today we present the best Indrans’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Indrans’s movies.
Praise the Lord
3/10
An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.
Salt Mango Tree
6.2/10
'Salt Mango Tree' explores certain systems at work in the current educational and social establishments and how aspirations are high to climb the haloed social ladder of the expected norm.
Shankaranum Mohananum
3.3/10
A photographer is haunted by the ghost of his dead brother who always craved love. Mohan is a photographer who has separated from his wife, an aspiring actress. His brother, Sankaran is married to a much younger Rajalakshmi, whom he deeply loves. Sankaran dies due to a snakebite, but returns as a ghost. He then begins haunting his own brother!
Good Bad & Ugly
3.9/10
Good Bad and Ugly tells the story of three youths who are unknown to each other, became acquainted during a journey towards Trivandram. All of them have different aims in there mind after reaching trivandram. Sreejith Vijay, Basil, and Sanju are the main characters. The three of them gets involved in a tragedy. Movie story takes a new turn from there on. The movie has a right mix of humor and suspense. Good Bad and Ugly is directed by V R Ratheesh, the movie is produced by Rahul S Kumar and Karthika Mohan under the banner of Karthika Films and Aditya Movies. M G Sreekumar score music for the movie.
Ayal
6/10
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
Ladoo
4.9/10
